Paris and the Parisians in 1835 (Vol. 2)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 2)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
I have sometimes wondered at the short space of time it required to
clear a crowded theatre of its guests; but the vanishing of the crowd
from the Boulevard was more rapid still. What became of them all,
Heaven knows; but they seemed to melt and dissolve away as the rain
fell upon them. We took shelter in the Passage de l'Opéra; and after a
few minutes the rain ceased, and we got safely home.
In the course of our excursion we encountered an English friend, who
returned home with us; and though it was eleven o'clock, he looked
neither shocked nor surprised when I ordered tea, but even consented
to stay and partake of it with us. Our tea-table gossip was concerning
a book that all the world--all the English world at least--had been
long eagerly looking for, and which we had received two days before.
Our English friend had made it his travelling-companion, and having
just completed the perusal of it, could talk of nothing else. This
book was Mrs. Butler's "Journal." Happily for the tranquillity of our
tea-table, we were all perfectly well agreed in opinion respecting it:
for, by his account, parties for and against it have been running very
strong amongst you. I confess I heard this with astonishment; for it
appears to me that all that can be said against the book lies so
completely on the surface, that it must be equally visible to all the
world, and that nobody can fail to perceive it. But these obvious
defects once acknowledged--and they must be acknowledged by all, I
should have thought that there was no possibility left for much
difference of opinion,--I should have thought the genius of its author
would then have carried all before it, leaving no one sufficiently
cold-blooded and reasonable to remember that it contained any faults
at all.
It is certainly possible that my familiarity with the scenes she
describes may give her spirited sketches a charm and a value in my
eyes that they may not have for those who know not their truth. But
this is not all their merit: the glow of feeling, the warm eloquence,
the poetic fervour with which she describes all that is beautiful, and
gives praise to all that is good, must make its way to every heart,
and inspire every imagination with power to appreciate the graphic
skill of her descriptions even though they may have no power to judge
of their accuracy.
Public-domain text, read in full here on John Shaqi.
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