Paris and the Parisians in 1835 (Vol. 2)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 2)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
This is the _doctrine_ to which I have now listened so long and so
often, that I have ceased all attempts to refute it. I have, however,
while stating it, been led to wander a little from those reminiscences
respecting fair France which I found so interesting, coming forth as
they did, as if by accident, from the rich storehouse of my agreeable
friend's memory: but I believe it would be quite in vain were I to go
back to the point at which I deviated, for I could do justice neither
to the matter nor the manner of the conversations which afforded me so
much pleasure;--I believe therefore that I had better spare you any
more politics just at present, and tell you something of several
things which we had the pleasure of seeing with him.
One of these was Baron Gros' magnificent sketch, if I must so call a
very finished painting, of his fine picture of the Plague of Jaffa. A
week or two before I had seen the picture itself at the Luxembourg,
and felt persuaded then that it was by far the finest work of the
master; but this first developement of his idea is certainly finer
still. It is a beautiful composition, and there are groups in it that
would not have lowered the reputation of Michael Angelo. The severe
simplicity of the Emperor's figure and position is in the very purest
taste.
This very admirable work was, when we saw it, in the possession of
the Baron de Sylvestre, whose collection, without having the dignity
of a gallery, has some beautiful things in it. Our visit to it and its
owner was one of great interest to me. I have seldom seen any one with
a more genuine and enthusiastic love of art. He has one cabinet,--it
is, I believe, his own bed-room,--which almost from floor to ceiling
is hung with little gems, so closely set together as to produce at
first sight the effect of almost inextricable confusion;--portraits,
landscapes, and historic sketches--pencil crayon, water-colour and
oil--with frames and without frames, all blended together in utter
defiance of all symmetry or order whatever. But it was a rich
confusion, and many a collector would have rejoiced at receiving
permission to seize upon a chance handful of the heterogeneous mass of
which it was composed.
Curious, well-authenticated, original drawings of the great masters,
though reduced to a mere rag, have always great interest in my
eyes,--and the Baron de Sylvestre has many such: but it was his own
air of comfortable domestic intimacy with every scrap, however small,
on the lofty and thickly-studded walls of this room, which delighted
me;--it reminded me of Denon, who many years ago showed me his large
and very miscellaneous collection with equal enthusiasm. I dearly
love to meet with people who are really and truly in earnest.
Public-domain text, read in full here on John Shaqi.
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