"Love, light as air, at sight of human ties, Spreads his bright wings, and in a moment flies;" and the inspired young man gently insinuates his unfettered ideas on the subject to the chosen fair one, who, if her acquaintance has lain much among these "fully-developed intelligences," is not unfrequently found to be as sublime in her notions of such subjects as himself; so the interesting little ménage is monté on the immortal basis of freedom. Then comes the literary labour, and its monstrous birth--a volume of tales, glowing with love and murder, blasphemy and treason, or downright obscenity, affecting to clothe itself in the playful drapery of wit. It is not difficult to find a publisher who knows where to meet with young customers ever ready to barter their last sous for such commodities, and the bargain is made. At the actual sight and at the actual touch of the unhoped-for sum of three hundred francs, the flood of inspiration rises higher still. More hideous love and bloodier murders, more phrensied blasphemy and deadlier treason, follow; and thus the fair metropolis of France is furnished with intellectual food for the craving appetites of the most useful and productive part of its population. Can we wonder that the Morgue is seldom untenanted?... or that the tender hand of affection is so often seen to pillow its loved victim where the fumes of charcoal shall soon extinguish a life too precious to be prolonged in a world where laws still exist, and where man must live, and woman too, by the sweat of their brows? It was some time after the conversation in which I received this sketch, that I fell into company with an Englishman who enjoys the reputation of high cultivation and considerable talent, and who certainly is not without that species of power in conversation which is produced by the belief that hyperbole is the soul of eloquence, and the stout defence of a paradox the highest proof of intellectual strength. To say I _conversed_ with this gifted individual would hardly be correct; but I listened to him, and gained thereby additional confirmation of a fact which I had repeatedly heard insisted on in Paris, that admiration for the present French school of décousu writing is manifested by critics of a higher class in England than could be found to tolerate it in France. "Have you read the works of the _young men_ of France?" was the comprehensive question by which this gentleman opened the flood-gates of the eloquence which was intended to prove, that without having studied well the bold and sublime compositions which have been put forth by this class, no one had a right to form a judgment of the existing state of human intelligence.