Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
It was impossible for me to refuse the cheerful and engaging _dame du
logis_ to taste her _ponche_, and, in compliment to me as an
Englishman, she presented me with a glass containing at least a
treble allowance. Not being overfond of punch, I would willingly have
relinquished the honour of drinking her health in so large a portion,
apprehending that this beverage might, in quality, resemble that of
the same name which I had tasted here a few evenings ago in one of
the principal coffeehouses. The latter, in fact, was a composition of
new rum, which reminded me of the trash of that kind distilled in New
England, acidulated with rotten lemons, sweetened with capillaire,
and increased by a _quantum sufficit_ of warm water. My hostess's
punch, on the contrary, was made of the best ingredients, agreeably
to the true standard; in a word, it was proper lady's punch, that is,
hot, sweet, sour, and strong. It was distributed in tea-pots, of
beautiful porcelaine, which, independently of keeping it longer warm,
were extremely convenient for pouring it out without spilling. Thus
concluded the entertainment.
About half past two o'clock the party broke up, and I returned home,
sincerely regretting the change in the mode of life of the Parisians.
Before the revolution, the fashionable hour of dinner in Paris was
three o'clock, or at latest four: public places then began early; the
curtain at the grand French opera drew up at a quarter past five. At
the present day, the workman dines at two; the tradesman, at three;
the clerk in a public office, at four; the rich upstart, the
money-broker, the stock-jobber, the contractor, at five; the banker,
the legislator, the counsellor of state, at six; and the ministers,
in general, at seven, nay not unfrequently at eight.
Formerly, when the performance at the opera, and the other principal
theatres, was ended at nine o'clock, or a quarter past, people of
fashion supped at ten or half after; and a man who went much into
public, and kept good company, might retire peaceably to rest by
midnight. In three-fourths of the houses in Paris, there is now no
such meal as supper, except on the occasion of a ball, when it is
generally a mere scramble. This, I presume, is one reason why
substantial breakfasts are so much in fashion.
Public-domain text, read in full here on John Shaqi.
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