Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
22. _------- des Aveugles, Rue St. Denis._
23. _------- de la Rue St. Jean de Beauvais._
24. _Bal masqué de l'Opéra, Rue de la Loi._
25. _---------- de l'Opéra Buffa, Rue de la Victoire._
26. _Bal du Sallon des Étrangers, Rue Grange Batelière._
27. _--- de l'Hôtel de Salm, Rue de Lille, Faubourg St. Germain._
28. _--- de la Rue Michaudière._
29. _Soirées amusantes de l'Hôtel Longueville, Place du Carrousel._
30. _Veillées de la Cité, vis-à-vis le Palais de Justice._
31. _Phantasmagorie de Robertson, Cour des Capucines._
32. _Concert de Feydeau._
33. _Ranelagh au bois de Boulogne._
34. _Tivoli, Rue de Clichy_, S.
35. _Frascati, Rue de la Loi_, S.
36. _Idalie_, S.
37. _Hameau de Chantilly, aux Champs Élysées._
38. _Paphos, Boulevard du Temple._
39. _Vauxhall d'hiver._
40. _-------- d'été_, S.
41. _-------- à Mousseaux_, S.
42. _-------- à St. Cloud_, S.
43. _-------- au Petit Trianon_, S.
44. _Jardin de l'hôtel Biron, Rue de Varenne_, S.
45. _------ Thélusson, Chaussée d'Antin_, S.
40. _------ Marboeuf, Grille de Chaillot_, S.
47. _------ de l'hôtel d'Orsay_, S.
48. _Fêtes champêtres de Bagatelle_, S.
49. _La Muette, à l'entrée du Bois de Boulogne_, S.
50. _Colisée, au Parc des Sablons_, S.
51. _Amphithéâtre d'équitation de Franconi, aux Capucines._
52. _Panorama, même lieu._
53. _Exhibition de Curtius, Boulevard du Temple._
54. _Expériences Physiques, au Palais du Tribunat._
55. _La Chaumière, aux Nouveaux Boulevards._
56. _Cabinet de démonstration de Physiologie et de Pathologie, au
Palais du Tribunat, No. 38, au premier._
Although, previously to the revolution, the taste for dramatic
amusements had imperceptibly spread, Paris could then boast of no
more than three principal theatres, exclusively of _l'Opéra Buffa_
introduced in 1788. These were _l'Opéra les Français_, and _les
Italiens_, which, with six inferior ones, called _petits spectacles_,
brought the whole of the theatres to ten in number. The subaltern
houses were incessantly checked in their career by the privileges
granted to the _Comédie Française_, which company alone enjoyed the
right to play first-rate productions: it also possessed that of
censorship, and sometimes exercised it in the most despotic manner.
Authors, ever in dispute with the comedians, who dictated the law to
them, solicited, but in vain, the opening of a second French theatre.
The revolution took place, and the unlimited number of theatres was
presently decreed. A great many new ones were opened; but the
attraction of novelty dispersing the amateurs, the number of
spectators did not always equal the expectation of the managers; and
the profits, divided among so many competitors, ceased to be
sufficiently productive for the support of every establishment of
this description. The consequence was, that several of them were soon
reduced to a state of bankruptcy.
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