Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
In the centre of a peristyle, of the Corinthian order, is the grand
gateway, crowned by a sort of triumphal arch, which is connected, by
a double colonnade, to two handsome pavilions. The lateral buildings
of the outer court, which is two hundred and eighty feet in length,
are decorated with the same order, and a second court of two hundred
and forty feet, includes part of the original palace, which is
constructed in the Italian style.
The principal entrances to the right and left lead to two halls; the
one dedicated to _Peace_; the other, to _Victory_. On the one side,
is a communication to the apartments of the old palace; on the other,
are two spacious rooms. The room to the left, inscribed to _Liberty_,
is intended for petitioners, &c.; that to the right, inscribed to
_Equality_, is appropriated to conferences. Between the halls of
Liberty and Equality, is the hall of the sittings of the Legislative
Body.
The form of this hall is semicircular; the benches, rising gradually
one above the other, as in a Roman amphitheatre, are provided with
backs, and well adapted both for ease and convenience. They are
intersected by passages, which afford to the members the facility of
reaching or quitting their places, without disturbance or confusion.
Every seat is distinguished by a number, so that a deputy can never
be at a loss to find his place. In the centre, is an elevated
rostrum, with a seat for the President, directly under which is the
_tribune_, also elevated, for the orator addressing the assembly. The
tribune is decorated by a bas-relief, in white marble, representing
France writing her constitution, and Fame proclaiming it. The table
for the four secretaries is placed facing the tribune, beneath which
the _huissiers_ take their station. The desk and seat of the
President, formed of solid mahogany, are ornamented with _or moulu_.
The folding doors, which open into the hall, to the right and left of
the President's chair, are also of solid mahogany, embellished in the
same manner. Their frames are of white marble, richly sculptured.
Independently of these doors, there are others, serving as a
communication to the upper-seats, by means of two elegant stone
stair-cases.
In six niches, three on each side of the tribune, are so many statues
of Greek and Roman legislators. On the right, are Lycurgus, Solon,
and Demosthenes: on the left, Brutus, Cato, and Cicero. The inside of
the hall is in stucco, and the upper part is decorated by a colonnade
of the Ionic order. The light proceeds from a cupola, glazed in the
centre, and the remainder of which is divided into small
compartments, each ornamented by an emblematical figure. The floor is
paved with marble, also in compartments, embellished with allegorical
attributes.
Having made you acquainted with the hall of the sittings, I think it
may not be uninteresting to give you an account of the forms observed
in opening the session.
Public-domain text, read in full here on John Shaqi.
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