Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
As for the statues within reach of swords and pikes, it was a
continual scene of amusement to the licentious to knock off the ear
of one angel, and scratch the face of another. Not an epitaph was
left to retrace the patriotic deeds of an upright statesman, or the
more brilliant exploits of a heroic warrior; not a memento, to record
conjugal affection, filial piety, or grateful friendship. The
iconoclasts proceeded not with the impetuous fury of fanatics, but
with the extravagant foolery of atheistical buffoons.
All the gold and silver ornaments disappeared: a great part of them
were dissolved in the crucibles of the mint, after having been
presented as a homage to the Convention, some of whose members danced
the _carmagnole_ with those who presented them at their bar, loaded
on the back of mules and asses, bedecked with all the emblems of
catholic worship; while several of the rubies, emeralds, &c. which
had formerly decorated the glory, beaming round the head of a Christ,
were afterwards seen glittering on the finger of the revolutionary
committee-men.
Chaumette, an attorney, was the man who proclaimed atheism, and his
example had many imitators. It seemed the wish of that impious being
to exile God himself from nature. He it was who imagined those
orgies, termed the festivals of reason. One of the most remarkable of
these festivals was celebrated in this very church of _St. Eustache_.
Although Mademoiselle Maillard, the singing heroine of the French
opera, figured more than once as the goddess of reason, that divinity
was generally personified by some shameless female, who, if not a
notorious prostitute, was frequently little better. Her throne
occupied the place of the altar; her supporters were chiefly drunken
soldiers, smoking their pipe; and before her, were a set of
half-naked vagabonds, singing and dancing the _carmagnole_.
"In this church," says an eye-witness, "the interior of the choir
represented a landscape, decorated with cottages and clumps of trees.
In the distance were mysterious bowers, to which narrow paths led,
through declivities formed of masses of artificial rock.
"The inside of the church presented the spectacle of a large
public-house. Round the choir were arranged tables, loaded with
bottles, sausages, pies, pâtés, and other viands. On the altars of
the lateral chapels, sacrifices were made to luxury and gluttony;
and the consecrated stones bore the disgusting marks of beastly
intemperance.
"Guests crowded in at all doors: whoever came partook of this
festival: children thrust their hands into the dishes, and helped
themselves out of the bottles, as a sign of liberty; while the speedy
consequences of this freedom became a matter of amusement to grown
persons in a similar state of ebriety. What a deplorable picture of
the people, who blindly obeyed the will of a few factious leaders!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account