Such is the MUSEUM OF FRENCH MONUMENTS. When completed, for some valuable specimens of the arts slill remain to be added, it will be one of the most interesting establishments in Paris, and perhaps in Europe, especially if considered in regard to the improvement of modern sculpture, and, I may add, architecture. No building can be better adapted than a monastery for an establishment of this nature. The solemn gloom of cloisters suits the temper of the mind, when we reflect on the mortality incident to a succession of ages, and the melancholy which it inspires, is in perfect unison with our feelings, when we contemplate the sepulchral monuments that recall to our memory the actions of the illustrious departed. This Museum is very extensive, the three courts and large garden, which at present compose the whole of its premises, occupying a space of three thousand seven hundred and sixty-two toises. LENOIR, however, has recently presented to the First Consul a plan for enlarging it, without any additional expense of building, by adding to it the neighbouring _Hôtel de Bouillon_. He proposes that there should be a new entrance by the quay, exhibiting a spacious court, decorated with statues, erected in regular order; and that the apartments on the ground-floor should be appropriated as follows: 1. To a collection of portraits of all the celebrated men of France. 2. To a chronological series of armour of all ages. 3. To a complete collection of French medals. 4. To a library, solely formed of the books necessary for obtaining a knowledge of the monuments contained in this Museum. When I consider the mutilated state in which most of these monuments were found at the first formation of this interesting establishment, and view the perfection in which they now appear; when I remark the taste and judgment displayed in the distribution and interior arrangement of the different apartments of this rich museum; when I learn, from the printed documents on the subject, the strict economy which has been observed in the acquisition or restoration of a great number of monuments, the more valuable as they illustrate the history of the arts; I confess that I find myself at a loss which most to admire in the Conservator, his courage, zeal, perseverance, or discrimination. Indeed, nothing but an assemblage of those qualities could have overcome the difficulties and obstacles which he has surmounted. I shall add that LENOIR'S obliging disposition and amenity of manners equally entitle him to the gratitude and esteem of the connoisseur, the student, or the inquisitive stranger. LETTER XXVI. _Paris, December 1, 1801_.