A circumstance occurred which gave me an opportunity of observing the Chief Consul with critical minuteness. I had left the second room, and taken my station in front of the row of gazers, close to the folding-doors which opened into the first room, in order to see him receive petitions and memorials. There was no occasion for BONAPARTE to cast his eyes from side to side, like the _Grand Monarque_ coming from mass, by way of inviting petitioners to approach him. They presented themselves in such numbers that, after he put his hat under his arm, both his hands were full in a moment. To enable him to receive other petitions, he was under the necessity of delivering the first two handfuls to his aides-de-camp. I should like to learn what becomes of all these papers, and whether he locks them up in a little desk of which he alone has the key, as was the practice of Lewis XIV. When BONAPARTE approached the door of the second room, he was effectually impeded in his progress by a lady, dressed in white, who, throwing herself at his feet, gracefully presented to him a memorial, which he received with much apparent courtesy; but still seemed, by his manner, desirous to pass forward. However, the crowd was so considerable and so intent on viewing this scene, that the grenadiers, posted near the spot where it took place, were obliged to use some degree of violence before they could succeed in clearing a passage. Of all the portraits which you and I have seen of BONAPARTE in England, that painted by Masquerier, and exhibited in Piccadilly, presents the greatest resemblance. But for his side-face, you may, for twelve _sous_, here procure a perfect likeness of it at almost every stall in the street. In short, his features are such as may, in my opinion, be easily copied by any artist of moderate abilities. However incompetent I may be to the task, I shall, as you desire it, attempt to _sketch_ his person; though I doubt not that any French _commis_, in the habit of describing people by words, might do it greater justice. BONAPARTE is rather below the middle size, somewhat inclined to stoop, and thin in person; but, though of a slight make, he appears to be muscular, and capable of fatigue; his forehead is broad, and shaded by dark brown hair, which is cut short behind; his eyes, of the same colour, are full, quick, and prominent; his nose is aquiline; his chin, protuberant and pointed; his complexion, of a yellow hue; and his cheeks, hollow. His countenance, which is of a melancholy cast, expresses much sagacity and reflection: his manner is grave and deliberate, but at the same time open. On the whole, his aspect announces him to be of a temperate and phlegmatic disposition; but warm and tenacious in the pursuit of his object, and impatient of contradiction. Such, at least, is the judgment which I should form of BONAPARTE from his external appearance.