Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
Parisians and strangers used to admire this equestrian statue of
Henry IV, and before the revolution, all agreed in taking him for the
model of goodness. In proof of his popularity, we are told, in the
_Tableau de Paris_, that a beggar was one day following a passenger
along, the foot-way, of the _Pont Neuf_: it was a festival. "In the
name of St. Peter," said the mendicant, "in the name of St. Joseph,
in the name of the Virgin Mary, in the name of her divine Son, in the
name of God?" Being arrived before the statue of the conqueror of the
League, "In the name of _Henri quatre_" exclaimed he, "in the name of
_Henri quatre?_"--"Here!" said the passenger, and he gave him a louis
d'or.
Unquestionably, no monarch that ever sat on the throne of France was
so popular as _Henri quatre_; and his popularity was never eclipsed
by any of his successors. Even amidst the rage of the revolutionary
storm, the military still held his memory in veneration. On opening
the sepultures at St. Denis in 1793, the coffin of Henry IV was the
first that was taken out of the vault of the Bourbons. Though he died
in 1610, his body was found in such preservation that the features of
his face were not altered. A soldier, who was present at the opening
of the coffin, moved by a martial enthusiasm, threw himself on the
body of this warlike prince, and, after a considerable pause of
admiration, he drew his sabre, and cut off a long lock of Henry's
beard, which was still fresh, at the same time exclaiming, in very
energetic and truly-military terms: "And I too am a French soldier!
In future I will have no other whiskers." Then placing this valuable
lock on his upper lip, he withdrew, adding emphatically: "Now I am
sure to conquer the enemies of France, and I march to victory."
In Paris, all the statues of kings had fallen, while that of Henry IV
still remained erect. It was for some time a matter of doubt whether
it should be pulled down. "The poem of the _Henriade_ pleaded in its
favour;" but, says Mercier, "he was an ancestor of the perjured
king," Then, and not till then, this venerated statue underwent the
same fate.
It has been generally believed that the deed of Ravaillac was
dictated by fanaticism, or that he was the instrument employed by the
Marchioness of Verneuil and the Duke of Epernon for assassinating
that monarch. However, it stands recorded, I am told, in a manuscript
found in the National Library, that Ravaillac killed Henry IV because
he had seduced his sister, and abandoned her when pregnant. Thus
time, that affords a clue to most mysteries, has also solved this
historical enigma.
Public-domain text, read in full here on John Shaqi.
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