Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
His mother, Catherine de Medicis, by prevailing on him to marry
Louise de Vaudemont, one of the most beautiful women in Europe, hoped
that she would make him forget her whom death had snatched from him,
and he himself perhaps indulged a similar hope, but the memoirs of
those times concur in asserting that the image of the Princess de
Condé was never effaced from his heart, and that, to the day of his
assassination, which did not happen till seventeen years after,
whatever efforts he made to subdue his passion, were wholly
unavailing.
Sympathy is a sentiment to which few persons attach the same ideas.
It may be classed in three distinct species. The first seems to have
an immediate connexion with the senses; the second, with the heart;
and the third, with the mind. Although it cannot be denied that the
preference we bestow on this or that woman is the result of the one
or the other of these, or even of all three together; yet the
analysis of our attachments is, in some cases, so difficult as to
defy the investigation of reason. For, as the old song says, some
lovers
Will "whimper and whine
For lilies and roses,
For eyes, lips, and noses,
Or a _tip of an ear_."
To cut the matter short, I think it fully proved, by the example of
some of the wisest men, that the affections are often captivated by
something indefinable, or, in the words of Corneille,
_"Par un je ne sais quoi--qu'on ne peut exprimer."_
LETTER XXXIII.
_Paris, December 14, 1801._
I have already spoken to you of the _Pont Neuf_. To the east of it,
as you will see by the Plan of Paris, the small islands in the middle
of the Seine are connected to its banks by several bridges; while to
the west, there are two only, though a third is projected, and,
previously to the late rise of the river, workmen were employed in
driving piles for the foundation. I shall now describe to you these
two bridges, beginning with the
PONT NATIONAL.
Before the revolution, this bridge bore the appellation of _Pont
Royal_, from its having been built by Lewis XIV, and the expenses
defrayed but of his privy purse, to supply the place of one of wood,
situated opposite to the _Louvre_, which was carried away by the ice
in 1684. It is reckoned one of the most solid bridges in Paris, and,
till the existence of the _Pont de la Concorde_, was the only one
built across the river, without taking advantage of the islands
above-mentioned. It stands on four piles, forming with the two
abutments five elliptical arches of a handsome sweep. The span of the
centre arch is seventy-two feet, that of the two adjoining sixty-six,
and that of the two outer ones sixty. On each side is a raised
pavement for foot-passengers, in the middle of which I should imagine
that there is breadth sufficient to admit of four carriages passing
abreast.
Public-domain text, read in full here on John Shaqi.
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