Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
I come to the point. I shall consider literature in a double sense.
First, the thing in itself; then, its connexions with the sciences,
and the men who govern. In England, it has been thought, or at least
insinuated in some of the papers and periodical publications, that
literature had been totally annihilated in France within the last
twelve years. This is a mistake: its aberrations have been taken for
eclipses. It has followed the revolution through all its phases.
Under the Constituent Assembly, the literary genius of the French was
turned towards politics and eloquence. There remain valuable
monuments of the fleeting existence of that assembly. MIRABEAU,
BARNAVE, CAZALÈS, MAURY, and thirty other capital writers, attest
this truth. Nothing fell from their lips or their pen that did not
hear at the same time the stamp of philosophy and literature.
Under the Legislative Assembly and the Convention, the establishments
of the empire of letters were little respected. Literati themselves
became victims of the political collisions of their country; but
literature was constantly cultivated under several forms. Those who
shewed themselves its oppressors, were obliged to assume the refined
language which it alone can supply, and that, at the very time when
they declared war against it.
Under the Directorial government, France, overwhelmed by the weight
of her long misfortunes, first cast her eye on the construction of a
new edifice, dedicated to human knowledge in general, under the name
of _National Institute_. Literature there collected its remains, and
those who cultivate it, as members of this establishment, are not
unworthy of their office. Such as are not admitted into this society,
notwithstanding all the claims the most generally acknowledged, owe
this omission to moral or political causes only, on which I could not
touch, without occupying myself about persons rather than the thing
itself.
Public-domain text, read in full here on John Shaqi.
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