Beaujon, the banker of the court, who had amassed an immense fortune, indulged himself in his old age, and, till his death, in a society composed of pretty women, some of whom belonged to what was then termed good families, among which he had diffused his presents. In an elegant habitation, called _la Chartreuse_, which he erected in the _Faubourg du Roule_, as a place of occasional retirement, was a most curious apartment, representing a bower, in the midst of which was placed a bedstead in imitation of a basket of flowers: four trees, whose verdant foliage extended over part of the ceiling, which was painted as a sky, seemed to shade this basket, and supported drapery, suspended to their branches. This was M. Beaujon's Temple of Venus. The late Prince of Soubise, for some years, constantly kept ten or a dozen ladies. The only intercourse he had with them, was to breakfast or chat with them twice or thrice a month, and latterly he maintained several old stagers, in this manner, from motives of benevolence. At the end of the month, all these ladies came in their carriages at a fixed hour, in a string, as it were, one after the other. The steward had their money ready; they afterwards, one by one, entered a very spacious room furnished with large closets, filled with silks, muslins, laces, ribbands, &c. The prince distributed presents to each, according to her age and taste: thus ended a visit of mere ceremony, interspersed with a few words of general gallantry. Such was the style in which many women were kept by men of fortune under the old _régime_. At the present day, if we except twenty or thirty perhaps, it would be no easy matter to discover any women supported in a style of elegance in Paris, and the lot of these seems scarcely secured but from month to month. The reason of this mystery is, that the modern Croesuses having mostly acquired their riches in a clandestine manner, they take every possible precaution to prevent the reports in circulation concerning their ill-gotten pelf from being confirmed by a display of luxury in their _chères amies_. On this account, many a matrimonial connexion, I am told, is formed between them and women of equivocal character, on the principle, that a man is better able to check the extravagant excesses of his wife than those of his mistress. We now arrive at that class of females who move in a sphere of life the best calculated for making conquests. I mean OPERA-DANCERS.