Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
In a coffeehouse of the _Foire St. Ovide_, in Paris, were placed ten
blind beggars, muffled up in grotesque dresses and long pointed caps,
with large paste-board spectacles on their nose, without glass: music
and lights were set before them; and one of them was characterized as
Midas, with the ears of an ass, and the addition of a peacock's tail,
spread behind him. He sang, while all the others played the same
parts of a monotonous tune, without either taste or measure; and the
unfeeling public turned into derision the unfortunate actors in this
infamous scene. This happened in September 1771.
From that moment, M. VALENTIN HAÜY, brother to the celebrated
mineralogist of that name, animated by a noble enthusiasm, conceived
the project of teaching the blind to write and read, and of placing
in their hands books and music, printed by themselves. After
employing twelve years in maturing it, at length, in 1784, he
ventured to carry it into execution. To so laudable and benevolent a
purpose, he devoted all his fortune; and hence originated the
establishment known in Paris, since the year 1791, by the title of
NATIONAL INSTITUTION OF THE INDUSTRIOUS BLIND.
Presently M. HAÜY found his plan seconded by the Philanthropic
Society, and the benefactions and advice of several persons, no less
distinguished for understanding than benevolence, contributed not a
little to encourage his zeal in its prosecution. The following were
the primary objects of the establishment.
1. To withdraw the blind from the dangerous paths of idleness.
2. To procure them certain means of subsistence by the execution of
pleasant and easy labours.
3. To restore them to society.
4. To console them for their misfortune.
To rescue the blind from idleness is, unquestionably, of itself a
great blessing, as it preserves them from an infinite number of
vices, and consequently must be approved by the moralist. But another
advantage, equally deserving of approbation, is to cause them to
find, in their labour, an infallible resource against indigence.
Previously to the execution of this beneficent plan, a young blind
child, born of poor parents, was reduced to the melancholy and
humiliating necessity of standing in a public thoroughfare, exposed
to all the inclemency of the weather, to beg its bread, and, at
present, it has no occasion to owe its livelihood but to its own
labour.
The children that M. HAÜY had to educate were, in general, of the
class of artisans, though a few belonged to that of artists and men
of science. Some were born with a little aptitude for mechanical
labours, others with a great disposition for the arts and sciences.
These considerations naturally pointed out to him his plan of
instruction, which is divided into four branches.
I. Handicraft work, viz. Spinning, knitting, making of cord, fringe,
trimming, ribband, pasteboard, &c.
Task-masters direct the execution of these works, which are as easy
to the blind as to the clear-sighted.
Public-domain text, read in full here on John Shaqi.
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