Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
It is no less extraordinary than true, that the news of the
establishment of this grand parade produced on the mind of the late
emperor of Russia the first impression in favour of the Chief Consul.
No sooner did Paul I. hear of the circumstance, than he exclaimed:
"BONAPARTE is, however, a great man."
Although the day was so favourable, the parade was soon over, as
there was no distribution of arms of honour, such as muskets,
pistols, swords, battle-axes, &c. which the First Consul presents
with his own hand to those officers and soldiers who have
distinguished themselves by deeds of valour or other meritorious
service.
The whole ceremony did not occupy more than half an hour, when
BONAPARTE alighted at the place where he had taken horse, and
returned to his audience-room in the palace, for the purpose of
holding his levee. I shall embrace a future opportunity to speak of
the interior etiquette observed on this occasion in the apartments,
and close this letter with an assurance that you shall have an early
account of the approaching _fête_.
LETTER XIII.
_Paris, November 8, 1801._
Great preparations for the _fête_ of to-morrow have, for several
days, employed considerable numbers of people: it therefore becomes
necessary that I should no longer delay to give you an idea of the
principal scene of action. For that purpose, we must direct our steps
to the
JARDIN DES TUILERIES.
This garden, which is the most magnificent in Paris, was laid out by
the celebrated LE NOTRE in the reign of Lewis XIV. It covers a space
of three hundred and sixty toises[1] long by one hundred and
sixty-eight broad. To the north and south, it is bordered, throughout
its length, by two terraces, one on each side, which, with admirable
art, conceal the irregularity of the ground, and join at the farther
end in the form of a horse-shoe. To the east, it is limited by the
palace of the _Tuileries_; and to the west, by the _Place de la
Concorde_.
From the vestibule of the palace, the perspective produces a most
striking effect: the eye first wanders for a moment over the
extensive parterre, which is divided into compartments, planted with
shrubs and flowers, and decorated with basins, _jets-d'eau_, vases,
and statues in marble and bronze; it then penetrates through a
venerable grove which forms a beautiful vista; and, following the
same line, it afterwards discovers a fine road, bordered with trees,
leading by a gentle ascent to _Pont de Neuilly_, through the
_Barrière de Chaillot_, where the prospect closes.
The portico of the palace has been recently decorated with several
statues. On each side of the principal door is a lion in marble.
The following is the order in which the copies of antique statues,
lately placed in this garden, are at present disposed.
On the terrace towards the river, are: 1. Venus _Anadyomene_. 2. An
Apollo of Belvedere. 3. The group of Laocoon. 4. Diana, called by
antiquaries, _Succincta_. 5. Hercules carrying Ajax.
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