688. _St. Michaelina._ These are the best pictures of BAROCCIO already exhibited. His colouring is enchanting. It is entirely transparent and seems as if impregnated with light: however, his forms, and every thing else, bespeak the _mannerist_. ANNIBALE CARRACCI. N° 721. (Gallery.) _Christ dead on the knees of the Virgin._ 723. _The Resurrection of Christ._ 728. _The Nativity of Christ._ 730. _Christ laid in the tomb._ Of the CARRACCI, ANNIBALE is the most perfect. He is also remarkable for the different manners which he has displayed in his works. They appear to be by two or three different painters. Of more than twenty in the Gallery, the above are the best of his productions. MICHAEL ANGELO DA CARAVAGGIO. N° 744. (Gallery.) _Christ laid in the tomb._ This wonderful picture, which was brought from Rome, is, for vigour of execution and truth of colouring, superior to all the others by the same master. Every one of his works bears the stamp of a great genius. DOMENICHINO. N° 763. (Gallery.) _The Communion of St. Jerome._ This picture, the master-piece of DOMENICHICO, comes from the great altar of the church of _San Geronimo della Carità_, at Rome. It will appear incredible that for a work of such importance, which cost him so much time, study, and labour, he received no more than the sum of about £10 sterling. N° 769. (Gallery.) _St. Cecilia_. This capital performance is now removed to the drawing-room of the First Consul, in the palace of the _Tuileries_. After RAPHAEL, DOMENICHINO is one of the most perfect masters; and his _St. Jerome_, together with RAPHAEL'S Transfiguration, are reckoned among the most famous _chefs d'oeuvre_ of the art of painting. GUIDO. N° 797. (Gallery.) _The Crucifixion of St. Peter_. 800. _Fortune_. These are the finest of the twenty pictures by that master, now exhibited in the CENTRAL MUSEUM. They both came from Rome; the former, from the Vatican; the latter, from the Capitol. GUIDO is a noble and graceful painter; but, in general, he betrays a certain negligence in the execution of several parts. LUINI. N° 860. (Gallery.) _The Holy Family_. In this picture, LUINI has fallen little short of his master, LEONARDO DA VINCI. ANDREA SOLARIO. N° 896. (Gallery.) _The Daughter of Herodias receiving the head of St. John_. SOLARIO is another worthy pupil of LEONARDO. This very capital picture belonged to the collection of the crown, and was purchased by Lewis XIV. PIERUNO DEL VAGA. N° 928. (Gallery.) _The Muses challenged by the Piërides_. An excellent picture from Versailles. BALTASSARE PERUZZI. N° 929. (Gallery.) _The Virgin discovering the infant Jesus asleep_. A remarkably fine production. SEBASTIANO DEL PIOMBO. N° ( ) _Portrait of the young sculptor, Baccio Bomdinelli_. This picture is worthy of the pencil of RAPHAEL. It is not yet exhibited. PIETRO DA CORTONA. N° 52. (Saloon.) _The Birth of the Virgin_.