foot of the Abbé de Lubersac, walking near him; the latter made use of a strong expression, to which the soldier replied in kind; the young woman endeavored to make peace by saying: "After all, it is only an abbé, who is not worth stopping for." The churchman, still further forgetting himself, permitted himself to kick the young woman quite as if she were a man; the dragoon took him by the collar; the _Suisses_ of the palace hastened to quell the riot, but their numbers were quite insufficient; the Duc de Chartres, seeing the tumult, but not daring to show himself because of his great unpopularity, summoned the city guard to what by this time had become a "regular field of battle," and the disturbance was finally quelled. Among the wounded who were carried off was a Chevalier de Saint-Louis, "disemboweled;" and thereafter the Suisses prohibited the entrance of the gardens to all women of doubtful virtue. It may be remembered that, in the celebrated affair of the diamond necklace, the young person who was persuaded by the adventuress, Madame de la Motte, to personify the queen, Marie Antoinette, and to meet the duped Cardinal Rohan in the park of Versailles at ten o'clock in the evening for the purpose of giving him the fictitious authority to purchase the necklace, was a _fille du monde_ who lived in the Rue du Jour at Paris, and was known as "la d'Oliva." For playing this part, the young woman was promised fifteen thousand livres. The _mémoire_ that was afterward drawn up by the avocat of Madame de la Motte "excited the interest of all sensitive souls by relating that the demoiselle, enceinte at the moment of her arrest, had been delivered in the Bastile, and was nursing her infant herself." [Illustration: PILLAGE OF THE ARCHBISHOP'S DWELLING, FEBRUARY 15, 1831. Engraved from an unpublished drawing by Raffet.] One of the most celebrated resorts of the ladies of the monde and the demi-monde, the cabaret of Ramponneau at Belleville, was closed a few years before the outbreak of the Revolution of 1789. Its renown seems to have been established, in the early days of the Regency, by the fact that wine was there sold at three sous six deniers the pint, that is to say, at one sou less than the usual price. "It was so crowded that there were as many persons outside, waiting their turn to enter, as inside, although the accommodations were very considerable in size. This crowd excited the curiosity of persons of distinction, who wished to see for themselves this prodigy." It is described as a species of cellar, decorated on the exterior with a vine painted on the wall, and with a sign bearing the legend, "_Au Tambour Royal_," and a picture of the proprietor astride of a cask. It was furnished in the interior with wooden benches and crippled tables, around which crowded a multitude drawn from all classes of society, high and low.