On his re-entry into Paris, Charles did not take up his residence in the Hôtel Saint-Pol, the sorrowful lodging of his father, but in the Tournelles, which he made a "delightful sojourn," and where his successors installed themselves until François II, who established his dwelling in the Louvre. In the time of Louis XI, however, the Tournelles partook of the sordid and melancholy character of its master. "The king lived there alone and stingily," says the historian Michelet. "He had had the odd taste to retain some servitors whom he had brought from Brabant; he lived there as if in exile.... As soon as he was king, he assumed the pilgrim's habit, the cape of coarse gray cloth, with the gaiters of a travelling costume, and he took them off only at his death.... If he came out of the Tournelles, it was in the evening, like an owl, in his melancholy gray cape. His gossip, companion, and friend (he had a friend) was a certain Bische, whom he had formerly set as a spy on his father, Charles VII, and whom afterward he kept near the Comte de Charolais, to induce him to betray his father, the Duc de Bourgogne." The king had, indeed been one of the worst of sons,--at the period of his accession to the throne he was almost in open rebellion against his father, and had sought refuge at the court of Burgundy. The great nobles consequently looked with complacency upon his coming into power, and were very far from foreseeing that through him their privileges and authority throughout the kingdom were to be finally ruined. During his reign, the capital prospered,--"the king made of it his refuge, his citadel and his arsenal for all his enterprises against the feudality." In one respect, he followed his father's example and even bettered it,--his counsellors were chosen by preference among the _tiers état_, and frequently even among men of base extraction. When occasion required, he did not disdain any of the arts of the demagogue: on entering Paris after the indecisive battle of Montlhéry, with the Burgundians, almost under the walls of the capital, he took supper with the principal ladies of the city in the house of Charles de Melun, and so moved them with the recital of the dangers he had undergone that all the dames bourgeoises wept. He was in the habit of visiting familiarly the principal bourgeois, seating himself at their table or inviting them to his own, and interesting himself in their private affairs. By this means, he endeavored to ascertain their opinions concerning his political measures, and the amount of obedience which they were likely to render to them. In 1471, "he honored the city by starting the fire with his own hand in the Place de Grève, the evening of Saint John the Baptist." On a mast, twenty-five mètres in height and surrounded by combustibles of all kinds, was hung a great basket containing a dozen black cats and a fox, symbols of the devil. "The more the grilled cats cried, the more the people laughed."