In these funeral processions, the public authority is represented by the _ordonnateur des Pompes funèbres_; "it is he who, from the residence of the defunct to his last resting-place, never quits him, watching over him like a faithful friend." His official costume has been modified of late years,--he now wears a red and blue scarf, a cockade with the two colors, and his insignia is embroidered on the collar of his coat. The Napoleonic cocked hats, black garments, and high boots of the drivers of the hearses are familiar sights in the streets of the capital, especially in the neighborhood of the cemeteries, driving slowly at the head of their mournful processions, or, in their moments of relaxation, descended from the heights of their sable chariots and drinking familiarly at the zinc bar of a workman's wine-shop, side by side, it may be, with the white blouses of masons and plasterers. The four hundred _porteurs_ of the Pompes funèbres still retain their ancient familiar designation of _croque-morts_, concerning the derivation of which there is much uncertainty. A number of the _Revue des traditions populaires_ suggests that it may come from the mediæval custom of biting the little finger of the deceased at the moment of placing in the coffin, in order to obtain a final assurance of death. At the masked balls of the Opéra, these personages are represented by the traditional Père Bazouge and the cheerful Clodoche,--shedding their decorum with their official costumes. By the decree of 1804, which forbade all inhumations within the walls of the capital, it was provided that there should be established cemeteries outside the city limits, and at a distance of not less than thirty-five or forty mètres. Four such enclosures were ordained: the Cimetière du Nord, or of Montmartre, on the north; that de l'Est, or of Père-Lachaise, on the east; that du Sud, or of Vaugirard, on the south, and that of Sainte-Catherine. The first of these was already in existence, having been established in 1798 by the municipal administration, to replace that in the plain of Clichy, comparatively new, which had replaced the old one of Saint-Roch. The Montmartre cemetery occupied the site of an abandoned and very extensive plaster quarry, whence it took its popular name of Cimetière des Grandes-Carrières, and it was also known, more poetically, as the _Champ de repos_, while the Montparnasse, later, was given that of _Champ d'asile_. When the city limits were enlarged, in 1859, Montmartre, in common with other communes of the suburbs, was brought within the enclosure, and, after the creation of the new cemetery of Saint-Ouen, called by the people Cayenne, the only interments in Montmartre were those made in the vaults of certain private families.