Much the most important public service of Paris is the Bureau of _Postes et Télégraphes_, the administration of which is confided to a Sous-Secrétaire d'État, and which employs, altogether, nearly thirteen thousand _fonctionnaires_, male and female. Of the efficiency of the postal service, the Parisians are justly proud; the telephone service, on the contrary, since it has passed under the management of the government, is a source of more earnest and heated complaint on the part of the unfortunate subscribers than even is usual in other lands before this aggravating mouthpiece and tube. The earliest postal service in France, according to the historians, was maintained by the Université for the benefit of its students, who were enabled to correspond with their relatives by means of messengers; this exclusive privilege, long preserved, was finally combined with the service which Louis XI established to serve the ends of his crooked policy. The modern postal service may be said to date from the reign of Louis XIII; and, in its gradual development, has passed through much the same phases as in other countries. During the seventeenth century, the central office was located in some contracted quarters established in front of the colonnade of the Louvre, and was eventually transferred to the old hôtel in the Rue Jean-Jacques-Rousseau, constructed on the site of the ancient Hôtel de Flandres. Although enlarged by successive additions, this building never afforded sufficient facilities, and proposals to abandon it and construct another and more ample central office elsewhere were seriously debated from 1793 to 1811, but the Corps Législatif was unwilling to incur so great an expense. On the night of the 7th-8th of August, 1880, the central office for Paris and the department of the Seine was established in temporary quarters in the Place Carrousel, and the demolition of the ancient building, preparatory to the construction on its site of a much larger and more efficient one, was commenced. The new Hôtel des Postes et Télégraphes was completed four years later. [Illustration: THE MONT-DE-PIÉTÉ: SCENE IN A BRANCH OFFICE OF THE GREAT MUNICIPAL PAWN-SHOP. After a drawing by Pierre Vidal.]