Several of the =chapels= around this disappointing church, however, contain many good modern pictures: most of them also bear the names of the saints to whom they are dedicated, which largely aids the recognition of the symbolism. I enumerate a few of them for their interest in this matter. =Right aisle= (1) St. Agnes. Jacob and the angel: Heliodorus expelled from the Temple: by Delacroix. (2) Chapel of Souls in Purgatory. Religion brings comfort to the dying; benefit of prayers for the dead: by Heim. (3) Chapel of St. Roch, the plague saint. He prays for the plague-stricken: he dies in prison at Montpelier: by Abel de Pujol. (4) St. Maurice, the soldier saint. His legend: by Vinchon. =Left aisle.= The chapels here are chiefly dedicated to the newer humanitarian saints of Catholicism. (1) St. François Xavier. He resuscitates a dead man: miraculous cures at his burial: by Lafon. (2) St. François de Sales. He preaches in Savoy: he gives to Ste. J. F. Chantal the constitution of his Order of nuns: by Hesse. (3) St. Paul. His conversion; he preaches at Athens: by Drolling. (4) St. Vincent de Paul. He founds the hospital for foundlings, with the Sisters of Charity: he attends the death-bed of Louis XIII: by Guillemot. =Chapels of the choir: L= (1) St. John the Evangelist. His martyrdom: and his assumption. (2) San Carlo Borromeo. He ministers during the plague at Milan: he gives the sacrament to his uncle, Pius IV, on his death-bed. (3) Uninteresting. (4) St. Louis the King. He carries a dying man during the plague: he administers justice under the oak of Vincennes. =Lady Chapel=, a miracle of ugliness. Statue of the Virgin on clouds in a recess, by Pajon, lighted from above, and in execrable taste,—the worst feature in this insipid and often vulgar building. Bad statues and frescoes. The other choir chapels on the =R side= are dedicated to the older patron saints of Paris. (1) St. Denis. His preaching: his condemnation. (2) St. Martin. He divides his cloak with the beggar: he resuscitates a dead man. (3) Ste. Geneviève. She brings food from Troyes during the siege of Paris: miracles wrought by her relics. (4) Our Lady. Her Birth: her Presentation in the Temple, interesting as modern examples of the treatment of these traditional subjects. Over the door, N or L side, her Death: S or R side, her Assumption. St. Sulpice has a reputation for good music. The Fontaine St. Sulpice, in front of the church, is from Visconti’s designs, and has appropriate statues of the four great French preachers—Bossuet, Fénélon, Massillon, and Fléchier. The pulpit here is still famous for its oratory. From St. Sulpice, the Rue Férou, to the R of the _façade_, leads you straight to the Luxembourg Palace. The long low building almost directly opposite you as you emerge is the **Musée du Luxembourg,