I do not intend to go at equal length through all the cases in this interesting room; but your visit to St. Denis ought now to have put you in a fit frame of mind for comprehending the meaning of most of these works by the light of the hints already given. I will only therefore call special attention to the beautiful decorative box, containing a book of the Gospels, in French enamel-work and jewellery of the 11th cent., in the last window on the right, before you reach the Rotonde d’Apollon. This valuable book-cover is also from the Abbey Treasury of St. Denis. It exhibits the usual Crucifixion, with the Madonna and St. John, and the adoring angels, together with figures of the symbols of the Evangelists, whose names are here conveniently attached to them. The next case, to the R of this one, also contains _champlevé_ enamels of the 12th and 13th cents., all of which should similarly be examined. Note among them, to the extreme R in the case, a very quaint quatrefoil with St. Francis receiving the Stigmata; a subject with which you will already be familiar from Giotto’s treatment, and whose adaptation here to a decorative purpose is curious and enlightening. Next to it, L, a Death of the Virgin. Further on, two delicious little plaques—one, of Abraham and Melchisedech, with St. Luke—(Abraham, as soldier, being attired in the knightly costume of the Bayeux Tapestry); and the other of the Offering of Isaac, with St. Mark; two of a series of the Evangelists with Old Testament subjects. Above these, the Emperor Heraclius killing Chosroes, with cherubim. Still higher, a most exquisite Adoration of the Magi. Also Christ in Glory, in a mandorla, with the symbols of the Evangelists; and two closely similar Crucifixions, with a Madonna and St. John, and adoring angels. Compare these with the similar subject in the first case we visited. This frame also contains three charming saints in Byzantine style, a good St. Matthew, and a little King David holding a psalter. Do not leave one of the objects in this window unidentified and unexamined. I notice all these decorative treatments here merely in order to suggest to the reader the way in which the knowledge he has gained of the fabric of St. Denis may be utilised to examine works of art from the great Abbey both here and at Cluny. You will find it useful to visit both collections on your return from such a church, in order to mentally replace in their proper surroundings works now divorced from it. Some other good objects from the same Treasury may also be seen at the Bibliothèque Nationale. VII THE OUTER RING, ETC.