Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
purification of the arrondissement and the preservation of the new
liberties.” And accordingly, a guillotine was burnt on the 7th of
April, at ten o’clock in the morning, before the statue of Voltaire.
The ceremony was not without a certain weirdness. In the midst of a
compact crowd of men, women, and children, who shook their fists at the
odious instrument, some National Guards of the 187th Battalion fed the
huge flames with broken pieces of the guillotine, which crackled,
blistered, and blazed, while the statue of the old philosopher, wrapped
in the smoke, must have sniffed the incense with delight. When nothing
remained but a heap of glowing ashes, the crowd shouted with joy; and
for my own part, I fully approved of what had just been done as well as
of the approbation of the spectators. But, between you and me, do you
not think that many of the persons there had often stationed themselves
around the guillotine with rather different intentions than that of
seeing it burnt? And then, if in reducing this instrument of death to
ashes, they wished to prove that the time is past when men put men to
death, it seems to me that they ought not to stop at this. While we are
at it, let us burn the muskets too,—what say you?
NOTES:
[55] Gavroche is a street boy of Paris, a _gamin_ immortalized by
Victor Hugo in “Les Misérables,” a master of Parisian _argot_ (slang).
XLIV.
I have just witnessed a horrible scene. Alas! what harrowing spectacles
meet our eyes on every side, and will still before all this comes to an
end. I accompanied a poor old woman to a cemetery in the east of Paris.
Her son, who had engaged himself in a battalion of Federal guards, had
not been home for five days. He was most likely dead, the neighbours
said, and one bade her “go and look at the Cimetière de l’Est, they
have brought in a load of bodies there.” Imagine a deep trench and
about thirty coffins placed side by side. Numbers of people came there
to claim their own among the dead. To avoid crowding, the National
Guards made the people walk in order, two or three abreast, and thus
they were marshalled among the tombs and crosses. The poor woman and I
followed the others. From time to time I heard a burst of sobs; some
one amongst the dead had been recognised. On we go slowly, step by
step, as if we were at the doors of a theatre. At last we arrive before
the first coffin. The poor mother I have come with is very weak and
very sad; it is I who lift up the thin lid of the coffin. A grey-haired
corpse is lying within it, from the shoulders downwards nothing but a
heap of torn flesh, and clothes, and congealed blood. We continue on.
The second coffin also contains the body of an old man; no wounds are
to be seen; he was probably killed by a ball. Still we advance. I
observe that the old men are in far greater number than the young. The
wounds are often fearful. Sometimes the face is entirely mutilated.
Public-domain text, read in full here on John Shaqi.
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