As to those who are not of my opinion, I don’t care the snap of a finger about them.” By this last expression the friends of Monsieur Gustave Courbet will perceive that we are not without some experience of his style of conversation. Courbet, my master, you don’t know what you are talking about, and all true artists will send you to old Harry, you and your federation. Do you know what an artistic association, such as you understand it, would result in? In serving the puerile ambition of one man—its chief, for there will be a chief, will there not, Monsieur Courbet?—and the puerile rancours of a parcel of daubers, without name and without talent. Artist in our way we assert, that no matter, what painter, even had he composed works superior in their way to Courbet’s “_Combat de Cerfs_” and “_Femme au Perroquet_,” who came and said, “Let us federate,” we would answer him plainly: “Leave us in peace, messieurs of the federation, we are dreamers and workers; when we exhibit or publish and are happy enough to meet with a man who will buy or print a few thousand copies of our work without reducing himself to beggary, we are happy. When that is done, we do not trouble ourselves much about our work; the indulgence of a few friends, and the indignation of a few fools, is all we ask or hope for. We federate? Why? With whom? If our work is bad, will the association with any society in the world make it good? Will the works of others gain anything by their association with ours? Let us go home, _messieurs les artistes_, let us shut our doors, let us say to our servants—if we have any—that we are at home to no one, and, after having cut our best pencil, or seized our best pen, let us labour in solitude, without relaxation, with no other thought than that of doing the best we can, with no higher judge than that of our own artistic conscience; and when the work is completed, let us cordially shake hands with those of our comrades who love us; let us help them, and let them bring help to us, but freely, without obligation, without subscriptions, without societies, and without statutes. We have nothing to do with these free-masonries, absurd when brought into the domain of intelligence, and in which two or three hundred people get together to do that, which some new-comer, however unknown his budding fame, would accomplish at a blow, in the face of all the associations in the world.” This is what I should naïvely reply to Monsieur Courbet if he took it into his head to offer me any advice or compact whatsoever to sign. [Illustration: The Modern “Erostrate” Courbet. In progress of removal. June 1871.]