Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
Out of all the houses, or rather from what was once the houses, emerge
the inhabitants carrying different articles of furniture, tables,
mattresses, boxes. They come out as it were from their graves.
Relations meet and embrace, after having suffered almost the bitterness
of death. Thousands run backwards and forwards; the carts are heaped up
to overflowing, everything that is not destroyed must be carried away.
A large van filled with orphan children moves on towards the barrier; a
sister of charity is seated beside the driver. The most impatient of
the refugees are already through the Porte Maillot; who will give them
hospitality there? No one seems to think of that. The excitement caused
by all this movement is almost joyous under the brilliant rays of the
sun. But time presses, in a few minutes the short truce will have
expired. Stragglers hurry along with heavy loads. At the gates, the
crowding and confusion are greater than in the morning. Carts heavily
laden, move slowly and with difficulty; the contents of several are
spilled on the highway. More shouting, crowding, and pushing, until the
gates are passed at last, and the emigrant crowd disperses along the
different streets and avenues into the heart of Paris. A happy release
from bondage, but what a dismal promised land!
Then the cannonading and musketry on either side recommences. Destroy,
kill, this horrible quarrel can only end with the annihilation of one
of the two parties engaged. Go on killing each other if you will have
it so, combatants, fellow-countrymen. Some wretched women and children
will at least sleep in safety to-night, in spite of you!
[Illustration: _Federal Officer_. Pardon, Monsieur, but we cannot allow
civilians to remain here.
_Monsieur_. I wait for Valérien to open upon us.]
Yes, my good friends and idlers, the sad scene would not have been
complete without your presence to relieve its sadness. If respect for
your persons kept you away from danger, it at least gives zest to the
place, a locality that in a few short minutes will be dangerous again.
At five the armistice was over, but for all that, the National Guard
had great difficulty in clearing the ground, until real danger, the
excitement sought for, arrived, and sent the spectators much further up
the Avenue de la Grande Armée.
[Illustration: Mdlle, et Ses Cousines.]
5.30. Great Guns of Valérien, Why do you not begin? Know you that tubes
charged with bright eyes are directed against you?
LXIII.
I had almost made up my mind not to continue these notes. Tired and
weary, I remained two days at home, wishing to see nothing, hear
nothing, trying to absorb myself in my books, and to take up the lost
thread of my interrupted studies, but all to no purpose.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account