Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
Disguises are also the order of the day. A poet, whose verses were
received at the Comédie Française with enthusiasm during the siege,
managed to get away, thanks to an official on the Northern Railway, who
lent him his coat and cap. Another poet—they are an ingenious
race—conceived a plan of greater boldness. One day on the Boulevard he
called a fiacre, having first taken care to choose a coachman of
respectable age, “_Cocher_, drive to the Rue Montorgueil, to the best
restaurant you can find.” On the way the poet reasoned thus to himself:
“This coachman has in his pocket, as they all have, a Communal
passport, which allows him to go out and come into Paris as he pleases;
let me remember the fourth act of my last melodrama, and I am saved.”
The cab stopped in front of a restaurant of decent exterior not far
from Philippe’s. The young man went in, asked for a private room, and
told the waiter to send up the coachman, as he had something to say to
him, and to procure a boy to hold the horse. The coachman walked into
the room, where the breakfast was ready served.
“Now, coachman, I am going to keep you all day, so do not refuse to
drink a glass with me to keep up your strength.”
An hour after the poet and the coachman had breakfasted like old
friends; six empty bottles testified that neither one nor the other
were likely to die of thirst. The poet grumbled internally to himself
as he thought of the three bottles of Clos-Vougeot, one of Léoville,
two of Moulin-au-Vent, that had been consumed, and the fellow not drunk
yet. Then he determined to try surer means, and called to the waiter to
bring champagne. “It is no use, young fellow,” laughed the coachman,
who was familiar at least, if he was not drunk; “champagne won’t make
any difference; if you counted on that to get my passport, you reckoned
without your host!”—“The devil I did,” cried the poor young man,
horrified to see his scheme fall through, and to think of the
prodigious length of the bill he should have to pay for
nothing.—“Others, have tried it on, but I am too wide awake by half,”
said the coachman, adding as he emptied the last bottle into his glass,
“give me two ten-franc pieces and I will get you through.”—“How can I
be grateful enough?” cried the poet, although in reality he felt rather
humiliated to find that the grand scene in his fourth act had not
succeeded.—“Call the waiter, and pay the bill.” The waiter was called,
and the bill paid with a sigh. “Now give me your jacket.”—“My
jacket?”—“Yes, this thing in velvet you have on your back.” The poet
did as he was bid. “Now your waistcoat and trousers.”—“My trousers! Oh,
insatiable coachman!”—“Make haste will you, or else I shall take you to
the nearest guard-room for a confounded _réfractaire_, as you are.” The
clothes were immediately given up. “Very well; now take mine, dress
yourself in them, and let’s be off.” While the young man was putting on
with decided distaste the garments of the _cocher_, the latter managed
Public-domain text, read in full here on John Shaqi.
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