Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
The roaring of cannon close at hand, the whizzing of shells, volleys of
musketry! I hear this in my sleep, and awake with a start. I dress and
go out. I am told the troops have come in. “How? where? when?” I ask of
the National Guards who come rushing down the street, crying out, “We
are betrayed!” They, however, know but very little. They have come from
the Trocadero, and have seen the red trousers of the soldiers in the
distance. Fighting is going on near the viaduct of Auteuil, at the
Champ de Mars. Did the assault take place last night or this morning?
It is quite impossible to obtain any reliable information. Some talk of
a civil engineer having made signals to the Versaillais; others say a
captain in the navy was the first to enter Paris.[98] Suddenly about
thirty men rush into the streets crying, “We must make a barricade.” I
turn back, fearing to be pressed into the service. The cannonading
appears dreadfully near. A shell whistles over my head. I hear some one
say, “The batteries of Montmartre are bombarding the Arc de Triomphe;”
and strange enough, in this moment of horror and uncertainty, the
thought crosses my mind that now the side of the arch on which is the
bas-relief of Rude will be exposed to the shells. On the Boulevard
there is only here and there a passenger hurrying along. The shops are
closed; even the café’s are shut up. The harsh screech of the
mitrailleuse grows louder and nearer. The battle seems to be close at
hand, all round me. A thousand contradictory suppositions rush through
my brain and hurry me along, and here on the Boulevard there is no one
that can tell me anything. I walk in the direction of the Madeleine,
drawn there by a violent desire to know what is going on, which
silences the voice of prudence. As I approach the Chaussée d’Antin I
perceive a multitude of men, women, and children running backwards and
forwards, carrying paving-stones. A barricade is being thrown up; it is
already more than three feet high. Suddenly I hear the rolling of heavy
wheels; I turn, and a strange sight is before me—a mass of women in
rags, livid, horrible, and yet grand, with the Phrygian cap on their
heads, and the skirts of their robes tied round their waists, were
harnessed to a mitrailleuse, which they dragged along at full speed;
other women pushing vigorously behind. The whole procession, in its
sombre colours, with dashes of red here and there, thunders past me; I
follow it as fast as I can. The mitrailleuse draws up a little in front
of the barricade, and is hailed with wild clamours by the insurgents.
The Amazons are being unharnessed as I come up. “Now,” said a young
_gamin_, such as one used to see in the gallery of the Théâtre Porte
St. Martin, “don’t you be acting the spy here, or I will break your
head open as if you were a Versaillais.”—“Don’t waste ammunition,”
cried an old man with a long white beard—a patriarch of civil
war—“don’t waste ammunition; and as for the spy, let him help to carry
paving-stones.
Public-domain text, read in full here on John Shaqi.
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