Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
barricades of the quays are still intact, it will be another hour
yet before they are taken. The firemen are there furiously at work,
but their efforts are insufficient! It would take tons of ammonia
to slake the fury of the petroleum which flows like hot lava upon
the place from the Hôtel de Ville, and the horrible reflection
reddens the waters of the Seine, so that the current of the river
seems to flow with blood, which stains the stones as it dashes
against the arches of the bridge!”
These scenes are being pictured to me as I gaze upon the terrible
conflagration, and all that is told me I seem to see. An irresistible
longing to be near seizes me. I am under the power of an invincible
attraction. I lean forward, my arms outstretched; I run a great risk of
falling, but what matters? The sight of these almost sublime horrors
has burnt itself into my very brain!
XCVII.
She walks with a rapid step, near the shadow of the wall; she is poorly
dressed; her age is between forty and fifty; her forehead is bound with
a red checkered handkerchief, from which hang meshes of uncombed hair.
The face is red and the eyes blurred, and she moves with her look bent
down on the ground. Her right hand is in her pocket, or in the bosom of
her half-unbuttoned dress; in the other hand she holds one of the high,
narrow tin cans in which milk is carried in Paris, but which now, in
the hands of this woman, contains the dreadful petroleum liquid. As she
passes a _poste_ of regulars, she smiles and nods; when they speak to
her she answers, “My good Monsieur!” If the street is deserted she
stops, consults a bit of dirty paper that she holds in her hand, pauses
a moment before the grated opening to a cellar, then continues her way,
steadily, without haste. An hour afterwards, a house is on fire in the
street she has passed. Who is this woman? Paris calls her a
_Pétroleuse_.[108] One of these _pétroleuses_, who was caught in the
act in the Rue Truffault, discharged the six barrels of a revolver and
killed two men before being passed over to execution. Another was seen
falling in a doorway of a house in the Rue de Boulogne, pierced with
balls—but this one was a young girl; a bottle filled with petroleum
fell from her hand as she dropped. Sometimes one of these wretched
women, might be seen leading by the hand a little boy or girl; and the
child probably carrying a bottle of the incendiary liquid in his pocket
with his top and marbles.
[Illustration: Palace of the Luxembourg (garden Front). Used as a
Federal Ambulance Hospital.[109]]
[Illustration: Les Pétroleurs Les Pétroleuses]
NOTES:
Public-domain text, read in full here on John Shaqi.
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