THE ARC DE L’ETOILE.—The triumphal arch bears many scars, but none of them of much importance. On the façade looking towards Courbevoie, the great bas-relief by Etex, representing “War,” was struck by three shells; the group of “Peace” received only the fragment of one. Here and there, in the bas-relief representing the “Passage of the Bridge of Areole,” and the “Taking of Alexandra,” some traces of balls are visible. On the whole, no irremediable hum is done here. Rude’s masterpiece, “The Marseillaise,” is untouched. THE PALACE OF INDUSTRY.—Rumour says Courbet had, among other projects, formed an idea of demolishing the Palace of Industry. The painted windows of the great nave have received no serious injury. The bas-relief of the main façade, picturing Industry and the Arts offering their products to the universal exhibitions, has several of its figures mutilated. The same has happened to the colossal group by Diebolt—France offering laurel crowns to Art and Industry. THE TUILERIES.—Felix Pyat, in the _Vengeur_, proposed converting the Palace of the Tuileries into a school for the children of soldiers. He says:—“They have taken possession by the work and activity that reign there; a whole floor is filled with tools and activity, and converted into workshops for the construction of messenger balloons. King Labour is enthroned there. I recognised there among the workmen an exile of the revolutionary Commune of London. The workmen and the proscribed at the Tuileries! From the prison of London to the palace of the Tuileries. It is well!” But in the heart of the Commune the soul of the _Vengeur_ underwent a change, and insisted on the complete destruction of the “infamous pile.” The portion of the building overlooking the river was alone preserved. The roofing is destroyed, but the façade is but little injured, the only work of art damaged here being a pediment by M. Carrier-Belleuse, representing “Agriculture.” Fortunately the Government of the Fourth of September had sent all the most precious things to the Garde-Meuble (Stores); but how can the magnificent Gobelins tapestry, the fine ceilings, the works of Charles Lebrun, of Pierre Mignard, of Coypel, of Francisque Meillet, of Coysevox, of Girardon, and of many others, and the exquisite Salon des Roses be replaced? The Tuileries burnt for three days, and ten days afterwards the ruins blazed forth anew near the Pavillon de Flore. Not only did the devouring fire threaten to destroy inestimable treasures, but on Monday a number of men carrying slow matches, and led by a man named Napias-Piquet, made all their preparations to set fire to several points of the museum of the Louvre, and two of the guardians were shot. This Napias-Piquet threatened to make of the whole quarter of the Louvre one great conflagration. He was taken and shot, and in his pocket was found a note of his breakfast of the preceding day, amounting to 57 francs 80 centimes.