Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
who amuse themselves openly with shameless women, while mothers are
weeping for their children!
On the boulevards it is worse still; there, vice exhibits itself and
triumphs. Is it then true what a young fellow, a poor student and
bitter philosopher, said to me just now: “When all Paris is destroyed,
when its houses, its palaces, and its monuments thrown down and
crushed, strew its accursed soil and form but one vast ruin beneath the
sky, then, from out of this shapeless mass will rise as from a huge
sepulchre, the phantom of a woman, a skeleton dressed in a brilliant
dress, with shoulders bared, and a toquet on its head; and this
phantom, running from ruin to ruin, turning its head every now and then
to see if some libertine is following her through the waste—this
phantom is the leprous soul of Paris!”
When midnight approaches, the _cafés_ are shut. The delegates of the
Central Committee at the ex-prefecture have the habit of sending
patrols of National Guards to hasten and overlook the closing of all
public places. But this precaution, like so many others, is useless.
There are secret doors which escape the closest investigations. When
the shutters are put up, light filters through the interstices of the
boards. Go close up to them, apply your eye to one of those lighted
crevices, listen to the cannon roaring, the mitrailleuses horribly
spitting, the musketry cracking, and then look into the interior of the
closed rooms. People are talking, eating, and smoking; waiters go to
and fro. There are women too. The men are gay and silly. Champagne
bottles are being uncorked. “Ah! ah! it’s the fusillade!” Lovers and
mistresses are in common here. This orgie has the most telling effect,
I tell you, in the midst of the city loaded with maledictions, a few
steps from the battle-field where the bayonets are dealing their death
thrusts, and the shells are scattering blood. And later, after the
laughter and the songs and the drink, they take an open carriage, if
the night is fine, and go to the Champs Elysées, and there mount upon
the box by the coachman to try and see the fight—if “those people” knew
how to die as well as they know how to laugh it would be better for
them.
Other _bons viveurs_, more discreet, hide themselves on the first
floors of some houses and in some of the clubs. But they are betrayed
by the sparkle of the chandeliers which pierces the heavy curtains. If
you walk along by the walls you will hear the conversation of the
gamesters and the joyous clink of the gold pieces.
Ah! the cowardice of the merry ones! Oh, thrice pardonable anger of
those who starve!
XXIX.
Public-domain text, read in full here on John Shaqi.
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