Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
Pest! they do not mince matters! Why, the first good-for-nothing
rascal—to whom, perhaps, I refused to lend five francs seven years
ago—may go round to Citizen Rigault and tell him that I am in regular
communication with Versailles, whereupon I am immediately incarcerated.
For, I beg it may be observed, it is not necessary that the complicity
with “the traitors” should be proved. The denunciation is quite
sufficient for one to be sent to contemplate the blue sky through the
bars of the Conciergerie.[38] Besides, what do the words “complicity
with the Government of Versailles” mean? All depends upon the way one
looks at those things. I am not sure that I am innocent. I remember
distinctly having several times bowed to a pleasant fellow—I say
pleasant fellow, hoping that these lines will not fall under the
observation of any one at the Prefecture of Police—who at this very
moment is quite capable, the rogue, of eating a comfortable dinner at
the Hôtel des Réservoirs at Versailles in company with one or more of
the members of the National Assembly. You can understand now why I am
beginning to feel rather uncomfortable. To know a man who knows a
deputy, constitutes, I am fully persuaded—otherwise I am unworthy to
live under the paternal government of the Commune—a most decided
complicity with the men of Versailles. I really think it would be only
commonly prudent to steal out of Paris in a coal sack, as a friend of
mine did the other day, or in some other agreeable fashion.[39] See
what may come of a bow!
NOTES:
[37] DECREE CONCERNING THE SUSPECTED.
“Commune of Paris:
Public-domain text, read in full here on John Shaqi.
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