Paris: With Pen and Pencil: Its People and Literature, Its Life and BusinessBartlett, D. W. (David W.)
History
Paris: With Pen and Pencil: Its People and Literature, Its Life and Business
Bartlett, D. W. (David W.)
Paris (France) -- Description and travel; Paris (France) -- Social life and customs
Racine took a line from one of his pieces and used it in such a manner
as to excite laughter. Corneille said: "It ill becomes a young man to
make game of other people's verses." Unfortunately he was tempted into a
duel with Racine. The latter triumphed as a writer for the time, and
Corneille stopped his pen, as he should have done a long time before.
But often he had the pleasure of seeing some of his best pieces enacted
upon the stage, and they always excited great enthusiasm. He also knew
that the refined and critical loved his best plays--the better the more
they read them.
The conduct of the poet through his whole life was, in the main, such
as to excite great admiration in after generations. He was no sycophant
in that age of fawning courtiers. He was simple and manly. He was always
melancholy and cared little for the vanities of life. Though poor in
early life, he cared but little about money. The king gave him a pension
of two thousand francs, which at that time was a good income. He was
generous and died utterly poor. One evening when age had bowed his form
he entered a Paris theater. The great _Conde_ was present, and prince
and people as one man rose in honor of the great dramatist. He died in
his seventy-ninth year, and Racine pronounced a high eulogy upon him,
before the academy. Such was its beauty that the king caused it to be
recited before him. In it he extolled the genius of the man who had at
one time been his rival, and he taught his children to revere his
memory.
In France, much more in Paris, the name of Corneille is to-day half
sacred. The house he lived and died in has many visitors, and to his
tomb many a pilgrim comes. And it is not strange that Parisians adore
him, for he was the father of comedy as well as tragedy. It was his
plays that caused the erection of commodious theaters. His plays have
continued to hold their place in the affections of the nation, and he is
reverenced more to-day than he was while living. The foreigner cannot
understand fully the character of modern French dramatists, and that of
their works, without knowing something of Corneille, nor can he wander
long among the streets of Paris, without becoming aware of the
estimation in which he is held at the present time by the intelligent
classes.
THE GREAT JESTER
Rabelais was born in 1483. He was a learned scholar, a physician, and a
philosopher. He was called "the great jester of France," by Lord Bacon.
Many buffooneries are ascribed to him unjustly, and he was a greater man
than certain modern writers make him out to be.
Public-domain text, read in full here on John Shaqi.
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