Paris: With Pen and Pencil: Its People and Literature, Its Life and BusinessBartlett, D. W. (David W.)
History
Paris: With Pen and Pencil: Its People and Literature, Its Life and Business
Bartlett, D. W. (David W.)
Paris (France) -- Description and travel; Paris (France) -- Social life and customs
One day, while in his study, he was seized with a sudden illness, and
was obliged to take at once to his bed. An abscess in his liver had
closed, though this was not known at the time. His disease grew very
painful, and he became more patient and resigned. As death drew near,
his original sweetness of disposition came back to him, and his deep
melancholy fled away. The nobles of the court gathered around his
bed-side, and the king sent to make inquiries as to his condition. He
arranged all his pecuniary affairs. Boileau was with him, and when he
bade him farewell, he said, "I look on it as a happiness that I die
before you."
When the physicians had discovered the abscess in his liver, they
resolved upon an operation, and he consented, though with no hope of
saving his life. He said, "The physicians try to give me hope, and God
could restore me; but the work of death is done." In three more days he
expired, in his sixtieth year. Thus lived and died one of the most
brilliant men in the history of France.
CHAPTER XII
THE FABULIST--THE INFIDEL--THE COMIC WRITER
THE FABULIST.
La Fontaine, the fabulist, was buried by the side of Moliere, who died
long before him. He was born July 8th, 1621, at Chateau Thierry. His
father was keeper of the royal domains. While young, La Fontaine gave no
promise of his after distinction. His teachers declared him to be a
dunce. His father, who seems to have been an admirer of poetry,
persuaded him to attempt to write verses, but he could not make a rhyme.
Seeing at nineteen that he could not make a poet of his son, the old man
resolved to make a priest of him. After eighteen months of trial the
young man returned to society. His father then proposed that he should
take the keepership of the royal domains, and marry Marie d'Hericart,
the daughter of his friend. La Fontaine made no objection, though we
have no evidence that he loved the girl. She was both beautiful and
talented, however. The father still clung to the idea that his son could
write poetry, and with a kind of prophetic instinct.
When La Fontaine was twenty-two, a French officer visited him, who was a
great admirer of poetry, and who brought the poems of Malherbe. La
Fontaine became excited by the poetry, or the passionate recitation, and
for days did nothing but read and recite poetry. He commenced writing
odes in imitation of Malherbe, and when his father beheld his first
attempt, he cried for joy. The character of the poetry was certainly
different from that which afterward gave him his fame. He soon
discovered the secret of success. By studying the old authors, he
improved his taste, and acquired a disrelish for French literature. He
was very fond of the Italian authors, but not knowing Greek, he only
read the Greek authors through translations made by others. He was
exceedingly fond of Plato, and his favorite copy was entirely filled
with annotations.
Public-domain text, read in full here on John Shaqi.
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