Paris: With Pen and Pencil: Its People and Literature, Its Life and BusinessBartlett, D. W. (David W.)
History
Paris: With Pen and Pencil: Its People and Literature, Its Life and Business
Bartlett, D. W. (David W.)
Paris (France) -- Description and travel; Paris (France) -- Social life and customs
The masters under whom Moliere principally studied were Italians, and he
imbibed a love for the Italian comic art. He also read the Spanish
comedies, and learned to admire them.
Moliere and his little band left Paris for the provinces. The times were
unpropitious, for the wars of the Fronde at that time made the whole
country a scene of confusion and danger. They had visited Bordeaux, and
were protected by the governor of Guienne. While here, Moliere wrote and
brought out a tragedy, which had so poor a success that he gave up
tragedy. After a short provincial tour he returned to Paris, and renewed
the acquaintance of the prince of Conti. The latter caused Moliere and
his fellows to bring out plays at his palace. But Paris was too full of
strife, and Moliere went to Lyons, where he wrote and brought out his
first comedy, "_L'Etouedi_." It met with a great success. There is an
English translation, entitled "Sir Martin Marplot." The next piece was
entitled "_Depit Amourex_," and its genuine humor gave it a fine
reputation.
The moral character of Moliere at this time was exceedingly bad. The
times were such that a band of players found every temptation before
them. The French biographers give an account of some of his
"gallantries," but they only lead the reader to feel disgust rather than
admiration. That plays written by such a man, and during times which
corrupted the whole people, should be pure, one could not expect.
Moliere's plays, therefore, bear the same character, in this respect, as
all the great performances of authors of France in those and succeeding
times. They were altogether loose in their morals.
The company of players were invited to Paynas by the prince of Conti,
who was staying there at the time. They acted before him, and Moliere
wrote several little interludes for the special amusement of the prince,
which were afterward the ground-work of some of his best comedies. The
prince was so pleased with the comedian, that he invited him to become
his secretary. He declined, but whether from love of comedy, or fear of
the prince, we do not know. The prince possessed an awful temper, and
actually killed his former secretary by throwing the tongs at him.
Public-domain text, read in full here on John Shaqi.
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