Parodies of the works of English & American authors, vol. I
General
Parodies of the works of English & American authors, vol. I
Parodies
And one, a phantom form with limbs most lank,
Adumbrated in ink and soot;
The Genius of Smudge, with spectral shank
And unsubstantial boot.
Nor these alone, but many a canvas bare,
Fit for each vacuous mood of mind,
The gray and gravelike, vague and void, were there
Most dismally designed.
* * * * *
Or two wan lovers in a curious fix,
Wreathed in one scarf by some queer charm,
Upon the margin of a caverned Styx
Stood shivering arm-in-arm.
Or by a garden-prop, posed all askew
'Neath apples bronze, with brazen hair,
A chalk-limb'd Eve and snake of porcelain blue
Exchanged a stony stare.
* * * * *
Nor these alone, but all such legends fair
As the vagarious Wagner mind
Would pick from Mythus' shadowy realm, were there,
With ample space assigned.
To women weird and wondrous, long of jaw,
And lank of limb, and greenish as with mould,
And full-red lips and shocks of fulvous hair,
And raiments strange of fold.
No raven so delighteth in its song,
Of sad and sullen monotone,
As I to watch those ladies lean and long,
And angular of bone.
And to myself I said, "All these are mine.
Let the dull world take Nature's part,
'Tis one to me; I hold no thing divine
Save this Brown-Jonesian Art,
"Wherein no ROBINSON shall dare to plant
His Philistinish hoof,
Who feels no mystic mediæval want,
But paints in truth's behoof!
"O Mediæval Mystery, be it mine
To clasp thee, faint and fain;
Sniffing serene at low souls that decline,
On sense and meanings plain."
Then my eyes filled, my talk waxed large and dim
Of BOTTICELLI'S deathless fame:
"Quaint immaturity to reach with him,"
I cried, "is Art's true aim.
"To plunge, self-blinded, in the mystic past,
That makes the present small:
If eyes artistic be not backward cast,
Why have we eyes at all?"
_Punch_, July 7, 1877.
PART II.
YET oft the riddle of Art's real drift
Flashed through me as I sat and gazed.
But not the less some season I made shift
To keep my wits undazed.
And so I mused and mooned; for three long weeks
I stood it: on the fourth I fell.
All trace of natural colour fled my cheeks,
And I felt--far from well.
* * * * *
Hollow-cheeked, hectic, rufus-headed dames,
With opiate eyes, and foreheads all
As wan as corpses', but with wings like flames,
Glared on me from each wall.
Those fixed orbs haunted me; I grew to hate
Those square and skinny jaws, those high-cheek bones.
Nocturnes in soot and symphonies in slate
Moved me to sighs and groans.
Public-domain text, read in full here on John Shaqi.
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