Parodies of the works of English & American authors, vol. II
General
Parodies of the works of English & American authors, vol. II
Parodies
her going to sleep when her father is prosing. The
conspirators, and the remorseful king, are minor characters,
calling for no particular remark, except as padding to
sustain a weakish plot. Now what do I do? Burlesque it? Not
in the sense in which I understand burlesque, as, for
instance, I burlesqued _Fédora_, _Diplomacy_, Ouida’s
_Strathmore_, &c., &c. No; but I take the story and give it
a turn similar (though not the same) to what Thackeray gave
to _Ivanhoe_ in _Rebecca and Rowena_. He took up the tale
where Scott left off, but he reproduced the scenes and
characters under changed conditions. I take the story with
its leading characters; I omit the tempest entirely (only a
sea-fog, when Prospero had forecasted a “disturbance”), and
Ariel, capable of assuming all sorts of shapes and forms,
does so and wrecks the ship. The arrangement of scenes
doesn’t follow the play. Of course Trinculo and Stephano are
not in it, for no one making a new comic story could take
them or Caliban as far as he is associated with them and
make them more funny, whether in dialogue or in business (I
know it all, having studied it) than they are in the piece.
No one _could_ take the _Midsummer Night’s Dream_ and
produce a modern extravaganza, though they might (as Planché
did) use the fairies out of it, who are immortal. No one
deprecates a vulgar, coarse piece of buffoonery by way of
burlesque more than I do. I have undertaken this very work
as an advance on _Blue Beard_, as _Blue Beard_ was (though
you would not recognise it) a distinct advance on what had
preceded it. It forms one of the “burlesque drama” series――a
generic title to which I have objections, but by which Mr.
John Hollingshead sets store――and as it is a matter of
indifference to the public whether what is really an
extravaganza comes under the above heading, I havn’t any
more to say, but the sum is that I am distinctly not
burlesquing Shakespeare’s _Tempest_, as by burlesquing I
understand my mode of treatment of Sardou’s _Fédora_,
_Diplomacy_, Ouida’s _Strathmore_, &c., &c.”
In September 1883, Mr. Hollingshead also wrote to the _Daily
News_ as follows:――
Public-domain text, read in full here on John Shaqi.
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