Parodies of the works of English & American authors, vol. II
General
Parodies of the works of English & American authors, vol. II
Parodies
I would put the question to any sensible man, whether he does or does
not consider it nobler in the mind to suffer many inconveniences, to
which slings and arrows are mere flea-bites by comparison――and
especially I might indicate blighted affections, the procrastination
of your family solicitor when there is property to be distributed, in
which you have a share, losses on the Derby, tightness of the
money-market, the impertinence of the fellow who keeps on calling for
the Queen’s taxes, and, generally, the spurns that patient merit is
obliged to put up with from all kinds of cads and humbugs, and
stuck-up little beasts, who give themselves no end of airs, and try to
ride rough-shod over everybody who has not had the same luck that they
have――than to terminate one’s existence by an act of _felo-de-se_?
Well, you know, the fact is that nobody would be fool enough to go on
day after day standing this sort of thing, if it wasn’t for a deuced
strong objection to becoming a body, and being sat upon by a dozen
tradesmen, some of whom perhaps have been confoundedly rude to one in
one’s life, when one has not happened to be able to pay one’s bills
the moment one has been called upon in a sudden and peremptory, not to
say insolent, manner to do so. There’s the rub! On consideration, most
people will rather bear the ills they have than do anything desperate
to get rid of them. (I have but this moment met with a passage in a
shocking tragedy, by the well-known Shakespeare, that bears a decided
family likeness to my philosophic proposition. It will scarcely be
expected that I should expunge the foregoing observations, because of
their likeness to what was written at a distant period of English
literature.)――_Punch._
――――:o:――――
The libretto to Ambroise Thomas’s opera of _Hamlet_ was by M.M.
Barbier and Carré, and their rendering of the Soliloquy shows the
difficulty of translating Shakespeare’s blank verse, and metaphysical
reasoning, into the orthodox French rhymed measure:――
Être ou ne pas être――O mystère!
Mourir――dormir――rêver.
Ah! s’il m’était permis pour t’aller retrouver,
De briser le lien qui m’attache à la terre!
Mais après? Quel est-il ce pays inconnu,
D’où pas un voyageur n’est encore revenu?
Être ou ne pas être――O mystère!
Mourir-dormir! rêver peut-être!
――――:o:――――
SHAKESPEARE AMENDED.
_Punch_ for 30 April, 1881, contained the following――
Public-domain text, read in full here on John Shaqi.
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