“It was a fluke; in fact, I may say ‘a surprise.’ Such things generally are. ‘Two Lovely Black Eyes’ is a parody of an American song of which the chorus is ‘Nellie’s Lovely Blue Eyes.’ The air is the same, and had been sung in London by some lady vocalists, even at the Trocadero, long before I thought of it. I had an engagement at the Paragon in the Mile-end Road, and had to sing a new song one Saturday night. That was a Tuesday, I think. I hummed ‘Nellie’s Blue Eyes,’ and thought the tune would catch them; but I doubted about the ‘blue’ eyes. I thought they would appreciate ‘black’ more. So I get my chorus――’Two Lovely Black Eyes.’ That is always my starting point. I had now to find my words. I was walking down Bethnal Green, thinking about it; the elections were on at the time, and I turned it over. So I got the first line:―― ‘Strolling so happy down Bethnal Green,’ Who? Why, ‘This gay youth you might have seen,’ You see, ‘seen,’ ‘green?’ Then you would naturally meet some one. I met Tompkins. I wanted a word to rhime with ‘seen’ and ‘green,’ so I gave Tompkins a young lady:―― ‘Tompkins and I with his girl between.” I had written ‘Harry’ at first, but it was too prosaic, so I changed it to Tompkins, which sounded funnier. Then I thought of the elections, and the rest followed easily. What more natural than that we should fall out, and that Tompkins should hand me ‘two lovely black eyes’? That is how it grew. Here is the original which I wrote coming home in the train.” And Mr. Coborn produced a little black-covered note-book, every page of which was covered with writing. Songs and scraps of dialogue and bits of street conversation which Mr. Coborn will introduce into his patter. “I have sung it about one thousand times in English, French, and German,” and the popular comic gave me some samples. He is not a polyglottist, but he has a quick ear, and his accent is pronounced to be marvellous. Here are the French and German renderings:―― “Deux beaux yeux noirs, Oh ciel! quel horreur, Seulement pour dire a quelqu’un qu’il a tort Deux beaux yeux noirs.” “Zwei Augen so schwartz, Ach, ist dass ein Spass? Gesagt hab’ ich nur das er Unrecht gehabt, Zwei Augen so schwartz!” “I propose to sing it in Hebrew and modern Greek. But the song has been a fluke right through its career. I thought it would suit the Paragon audiences (we must consider our public). I thought they would like the chorus. But when I came to the ‘Trocadero’ I was a little doubtful, thinking it might be too coarse. So I asked the conductor, and if he had said ‘yes’ I should have changed it at once. It is my principle rather to sacrifice a laugh, than to offend a prejudice.” ―――― OH, WHAT A SURPRISE!