To prevent the possibility of missing Warrington, Elsa had engaged the
room boy to loiter about down-stairs and to report to her the moment
Warrington arrived. The boy came pattering up at a quarter to six.
"He come. He downside. I go, he come top-side?"
"No. That will be all."
The boy kotowed, and Elsa gave him a sovereign.
The following ten minutes tested her patience to the utmost. Presently
she heard the banging of a trunk-lid. He was there. And now that he
was there, she, who had always taken pride in her lack of feminine
nerves, found herself in the grip of a panic that verged on hysteria.
Her heart fluttered and missed a beat. It had been so easy to plan!
She was afraid. Perhaps the tension of waiting all these hours was the
cause. With an angry gesture she strove to dismiss the feeling of
trepidation by walking resolutely to her door. Outside she stopped.
What was she going to say to him? The trembling that struck at her
knees was wholly a new sensation. Presently the tremor died away, but
it left her weak. She stepped toward his door and knocked gently on
the jamb. No one answered. She knocked again, louder.
"Come in!"
"It wouldn't be proper," she replied, with a flash of her old-time
self. "Won't you please come out?"
She heard something click as it struck the floor. (It was Warrington's
cutty which he had carried for seven years, now in smithereens.) She
saw a hand, raw knuckled and bleeding slightly, catch at the curtain
and swing it back rattling upon its rings.
"Miss Chetwood?" he said.
"Yes . . . Oh, you've been hurt!" she exclaimed, noting the gash upon
his forehead. A strip of tissue-paper (in lieu of court-plaster) lay
soaking upon the wound: a trick learned in the old days when razors
grew dull over night.
"Hurt? Oh, I ran against something when I wasn't looking," he
explained lamely. Then he added eagerly: "I did not know that you were
on this gallery. First time I've put up at a hotel in years." It did
not serve.
"You have been fighting! Your hand!"
He looked at the hand dumbly. How keen her eyes were.
"I know!"
"You do?" inanely.
"Was it . . . Mallow?"
"Yes."
"Did you . . . whip him?"
"I . . . did," imitating her tone and hesitance. It was the wisest
thing he could have done, for it relaxed the nerves of both of them.
Elsa smiled, smiled and forgot the substance of all her rehearsals,
forgot the letter of credit, warm with the heat of her heart. "I am a
pagan," she confessed.
"And I am a barbarian. I ought to be horribly ashamed of myself."
"But you are not?"
For a moment their eyes drew. Hers were like dark whirlpools, and he
felt himself drifting helplessly, irresistibly. He dropped his hands
upon the railing and gripped; the illusion of fighting a current was
almost real to him. Every fiber in his body cried out against the
struggle.
"No, not in the least," he said, looking toward the sunset. "Fighting
is riff-raff business, and I'm only a riff-raffer at best."
Public-domain text, read in full here on John Shaqi.
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