'She has a pretty conceit in names. Make sure those are her letters,'
and again he spoke with an effort.
'Not I. I have had my fill of the lady's handwriting.'
Montague was already holding the paper to the flame, when Kelly's good
angel got the upper hand with him. He is happy now to think that no
chance accident, such as the return of Hutchins or the coming of the
soldiers, hurried him into the better choice with a mind half made up.
Here was the very occasion of which he had dreamed when he stayed
behind in Lady Oxford's withdrawing room. He could use the weapon
which her letters put into his hand to save the Chevalier's papers and
himself and Rose. But he put the weapon aside. He turned about from
the door: Montague was holding the paper to the flame, and a corner of
it had taken fire. Kelly sprang to the scrutoire, snatched the paper
out of Montague's hand, and crushed the fire out in the palm of his
hand.
'I gave you the right key, 'he whispered. 'You chose the wrong box.'
Montague snatched up the pile of papers and turned them over.
'Good God! Cyphers!' he exclaimed, and dropped them as though they
were, in truth, burning.
'The other box; the other box,' said Kelly, pointing to it. He fancied
that he heard Hutchins moving cautiously just outside the door, and
was now in a fever lest the delay brought about by his incertitude
might balk his intentions. At any moment the Messenger might come back
from Bury Street, or the file of the musquets march tramping up the
stairs.
All this indeed takes a long time to tell, and seemed no less long to
Mr. Kelly in the happening; but the whole of the occurrences, the
movements of the Messengers, the tidings cried to him from the street,
the burning of the papers, with Kelly's own thoughts and doubts and
unlooked-for temptations, passed with momentary speed.
Montague found Wogan's strong box, the box of the love-letters,
unlocked it, tore out all the contents, and glanced at a few at the
top, middle and bottom.
'Smilinda--Smilinda--Smilinda,' he said, reading the signatures. 'And
it's for this woman,' he cried, striking the letters with his fist,
'Smilinda, Phylissa, and the Lord knows what else to the Lord knows
what other men, that----'
But the Parson was in no mood to listen to Montague's reflections.
Public-domain text, read in full here on John Shaqi.
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