The true significance of the Proud Lady's garden has also been obscured in our poem; it may possibly at one time have been confused with the Wonder Castle, and might then be compared with the Garden of Joy which Merlin created for Ninian; there is indeed a strong temptation to compare Merlin and Ninian with Klingsor and Orgelusé, wide as the difference is between the two stories. But it is more probable that the Magic Garden belongs wholly to the Winning of the Branch feat, and that, like the remainder of this episode, it has suffered from contamination with the Wonder Castle story. (In connection with this it may be noted that in Chrêtien, Gawain, after crossing the Perilous Ford, is not to pluck the branch of any one special tree, but to gather the flowers which he sees, '_A ces arbres et á ces prés._' The idea of a _garden_ seems to have been better preserved in the French than in the German poem.) Another portion of the original story, the flyting of hero and heroine, has been completely remodelled by the twelfth century poets, in order to afford an exemplification of the current ideal of courtly love and lady-service; hence the complex character of the heroine, and the confused nature of the episode as related by Wolfram. It would be useless to seek in pre-twelfth century literature for an _exact_ parallel to a situation so manifestly coloured to suit the prevailing social ideas of the time; but the episode must have some root in preceding literature, the special form of the social relation of man to woman which is the most marked feature of twelfth century literary art must stand in _some_ relation to the past; and it is in the Irish heroic literature of the seventh to the eleventh centuries that we must seek for the origin of this feature.