Parzival: A Knightly Epic (vol. 2 of 2)Wolfram, von Eschenbach
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Parzival: A Knightly Epic (vol. 2 of 2)
Wolfram, von Eschenbach
Perceval (Legendary character) -- Romances
BOOK XV
Page 135, line 22--'_His armour a knight displayed_.' The riches of
Feirefis and his costly raiment are dwelt upon at such length that one
suspects that the aim of the poet was to exalt the importance of the
House of Anjou; of which Feirefis, rather than Parzival, must here be
considered the representative.
Page 136, line 31--'_Agremontein_.' Cf. Book IX. p. 284.
Page 136, line 42--'_Thopedissimonté_,' _etc._ This place has not been
named before, and critics have not identified it with any known name.
Assigarzionté may, as suggested in Note to Book XIV., be the same as
Agatyrsjenté. Thasmé we already know, Book XIII. p. 74 and Note.
Page 137, line 59--'_Parzival rode not lonely_.' The expression of an
idea which seems to be a favourite one with Wolfram, cf. Book V. p. 139
and Book VIII. 242.
Page 137, line 81--'_As the lion-cub_,' _etc._ This fable, a belief in
which was general in the Middle Ages, is also mentioned by Wolfram in
his _Willehalm_.
Page 139, line 120--'_My brother and I are one body_,' _etc._ As
remarked before, Wolfram has an extremely high idea of the binding
nature of family relationships, cf. Book III. p. 97 and further on p.
145.
Page 139, line 121--'_Asbestos_.' Cf. Book IX. p. 281.
Page 139, line 138--'Kaukasus.' It is rather curious to find Sekundillé
associated with Kaukasus, as we are elsewhere told that she was queen
of Tribalibot, _i.e._ India. In Book X. p. 11 we are told that she
had golden mountains in her kingdom, which may have suggested the
connection.
Page 140, line 155--'_And the other, the precious jewels_,' _etc._ It
has already been remarked (Note to Book IX.) that the attribution of
strengthening virtue to precious stones, and the prominence given to
them throughout the poem, is a special feature of the _Parzival_. In
the next book we meet with a remarkable instance of this peculiarity.
Public-domain text, read in full here on John Shaqi.
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