Passed by the censor : $b The experience of an American newspaper man in FranceWilliams, Wythe
History
Passed by the censor : $b The experience of an American newspaper man in France
Williams, Wythe
World War, 1914-1918 -- Personal narratives, American
The road was winding and steep, dipping down to the swift little stream
that twists a turbulent passage through the town. The day was coming
fast but the fog remained white and impenetrable. After a few minutes
I began to see dark shapes on either side of the road. Tall, thin,
irregular shapes, some high, some low, but with outlines all softened,
toned down by the banks of white vapor.
I started across the road to investigate and fell across a pile of
jagged masonry on the sidewalk. Through the fog I could see tumbled
piles of bricks. The shapes still remained--specters that seemed
to move in the light from the valley. An odor that was not of the
freshness of the morning assailed me. I climbed across the walk. No
wall of buildings barred my path, but I mounted higher on the piles
of brick and stones. A heavy black shape was now at my left hand. I
looked up and in the shadow there was no fog. I could see a crumbled
swaying side of a house that was. The odor I noticed was that caused
by fire. Sticking from the wall I could see the charred wood joists
that once supported the floor of the second story. Higher, the lifting
fog permitted me to see the waving boughs of a tree that hung over
the house that was. At my feet, sticking out of a pile of bricks and
stones, were the twisted iron fragments of a child's bed. I climbed out
into the sunshine.
I was standing in the midst of a desolation and a silence that were
profound. There was nothing there that lived, except a few fire-blacked
trees that stuck up here and there in the shelter of broken walls. Now
I understood the meaning of the spectral shapes. They were nothing but
the broken walls of the other houses that were. They were all that
remained of nine-tenths of Gerbéviller.
I wandered along to where the street turned sharply. There the ground
pitched straight to the little river. Half of a house stood there,
unscathed by fire; it was one of those unexplainable freaks that often
occur in great catastrophes. Even the window glass was intact. Smoke
was coming from the chimney. I went to the opposite side and there
stood an old woman looking out toward the river, brooding over the ruin
stretching below her.
"You are lucky," I said. "You still have your home."
She turned a toothless countenance toward me and threw out her hands. I
judged her to be well over seventy. It wasn't her home, she explained.
Her home was "là-bas"--pointing vaguely in the distance. She had lived
there fifty years--now it was burned. Her son's house, he had saved
thirty years to be able to call it his own, was also gone; but then her
son was dead, so what did it matter? Yes, he was shot on the day the
Germans came. He was ill, but they killed him. Oh, yes, she saw him
killed. When the Germans went away she came to his house and built a
fire in the stove. It was very cold.
Public-domain text, read in full here on John Shaqi.
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