Drama -- History and criticism; English essays -- 20th century; Literature -- History and criticism
Of late, however, the veil that shrouds the business man from the
non-business eye has been partly lifted. The pictorial advertisement
people have got hold of him and give brief, tantalizing glimpses of his
daily life. Maeterlinck speaks of “l’auguste vie quotidienne” of Hamlet.
That only shows that Hamlet (it is indeed his prime characteristic)
was not a business man. For the business man’s daily life, if the
advertisements are to be trusted, is not so much august as alert,
strenuous, and, above all, devoted to the pleasures of the toilet. And
his toilet seems, for the most part, to centre in or near his chin.
Indeed, it is by his chin that you identify the business man. You know
what Pascal said of Cleopatra’s nose: how, if it had been an inch
shorter, the whole history of the world would have been different. Much
the same thing may be said about the business man’s chin. Had it been
receding or pointed or dimpled or double, there would have been no
business man and consequently no business. But things, as Bishop Butler
said, are what they are and their consequences will be what they will be.
The business man’s chin is prominent, square, firm, and (unless he deals
in rubber tires—the sole exception to the rule) smooth. It is as smooth
as Spedding’s forehead, celebrated by Thackeray and Edward Fitzgerald. It
is, indeed, like that forehead, a kind of landmark, a public monument.
Even the rich, velvety lather, which does not dry on the face and leaves
behind a feeling of complete comfort and well-grooming, cannot disguise
it. No wonder the business man is so particular about shaving it! It is a
kind of religious rite, an Early Matins, with him.
Outside the bank-parlour, the mart and the exchange the business man
takes no risks, and at his toilet-table he prefers safety razors. Indeed,
he collects them. Sometimes he favours the sort that can be stropped in
a moment with one turn of the wrist; sometimes the sort that needs no
stropping at all. But, like all collectors, he is never so happy as when
handling, or rather caressing the objects of his collection. Mark how his
eyes dance with delight and his smile sweetens as the razor courses over
his chin. Evidently life at this moment is burning for him with a hard
gem-like flame. Call it not shaving! Say, rather, he is ministering to
the symbolic element in him, daintily smoothing the proud emblem of his
power—to which he will add the finishing touch of pearl-powder, whose
constant use produces a delicate bloom, tones up the complexion, and
protects the skin against the ravages of time.
Public-domain text, read in full here on John Shaqi.
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