Drama -- History and criticism; English essays -- 20th century; Literature -- History and criticism
Are not the friends of Henry James inclined to be a little too solemn
when they write about him, perhaps feeling that they must rise to the
occasion and put on their best style, as though he had his eye on them
and would be “down” on any lapses? An admirable reviewer of the Letters
in the _Literary Supplement_ seemed, indeed, so overcome by his subject
as to have fallen into one of Henry James’s least amiable mannerisms—his
introduction of elaborate “figures,” relentlessly worked out and at last
lagging superfluous. And the editor of the Letters, admirably, too, as
he has done his work, is just a little bleak, isn’t he?—wearing the
grave face of the historian and mindful never to become familiar. “Thank
Heaven!” one seems to hear these writers saying to themselves; “even _he_
could never have called this vulgar.” Such is the posthumous influence
of the fastidious “master”! I daresay I am captious. One is never quite
satisfied with what one sees in print about people one loved. One always
thinks—it is, at any rate, a pleasing illusion—that one has one’s own key
to that particular cipher, and to see the thing not merely given away
but authoritatively expounded in print is rather a nuisance. Look at the
number of fair ladies to whom Henry James wrote letters rich in intimate
charm (oh! and, as he would have said, of a decorum!)—perhaps each of
them thought she had the best corner of his heart. The most immaculate of
women, young and old, matrons and maidens, _will_ sentimentalize their
men friends in this way. How could Henry James have escaped? Well, if any
one of these ladies had edited the Letters or reviewed them, wouldn’t
each of the others have said: “No, that isn’t _my_ Henry James—_she_
never understood him, poor dear”? I apologize for this flippant way of
putting it to the two refined writers I began by mentioning. But, as the
lady says in _The Spoils of Poynton_, “I’m quite coarse, thank God!”
Public-domain text, read in full here on John Shaqi.
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