Pastoral Days; or, Memories of a New England YearGibson, W. Hamilton (William Hamilton)
History
Pastoral Days; or, Memories of a New England Year
Gibson, W. Hamilton (William Hamilton)
Natural history -- New England; Natural history -- Outdoor books
Then follows brimful August, with the summer’s consummation of
luxuriance and bloom; with flowers in dense profusion in bouquets of
iron-weed and thoroughworts, of cardinal flowers and fragrant clethra,
with their host of blossoming companions. The milk-weed pods fray out
their early floss upon September breezes, and the blue petals of the
gentian first unfold their fringes. October overwhelms us with the
friendly tokens of burr marigolds and bidens; while its thickets of
black-alder lose their autumn verdure, and leave November with a
“burning bush” of scarlet berries hitherto half-hidden in the leafage.
Now, too, the copses of witch-hazel bedeck themselves, and are yellow
with their tiny ribbons. December’s name is written in wreaths of snow
upon the withered stalks of slender weeds and rushes, which soon lie
bent and broken in the lap of January, crushed beneath their winter
weight. And in fulfilment of the cycle, February sees the swelling buds
of willow, with their restless pussies eager for the spring, half
creeping from their winter cells.
The October day is a dream, bright and beautiful as the rainbow, and as
brief and fugitive. The same clouds and the same sun may be with us on
the morrow, but the rainbow will have gone. There is a destroyer that
goes abroad by night; he fastens upon every leaf, and freezes out its
last drop of life, and leaves it on the parent stem, pale, withered, and
dying.
Then come those closing days of dissolution, the saddest of the year,
when all nature is filled with phantoms, and the gaunt and naked trees
moan in the wind--every leaf a mockery, every breeze a sigh. The air
seems weighed with a premonition of the dreariness to come. The
landscape is darkened in a melancholy monotone, and death is written
everywhere. You may walk the woods and fields for hours without a gleam
of comfort or a cheering sound. We hear, perhaps, the hollow roll of the
woodpecker upon some neighboring tree; but even he is clad in mourning:
it is a muffled drum, and the resounding limb is dead. You sit beneath
the old oak-tree, but it is a lifeless rustle that grates upon your ear,
while you listen half beseechingly for some cheering note from the
robins in the thicket near; but they are coy and silent now, and their
flight is toward the southern hills. A villanous shrike must needs come
upon the scene: he alights upon a limb near by, with blood upon his
beak. Murder is in his eye, and his mission here is death. And now we
hear a noisy crow o’erhead: he perches upon a neighboring tree in hungry
scrutiny. And what is he but carrion’s bird, that revels in decay and
death, with raiment black as a funeral pall? In the cold gray sky we see
their scattered flocks blowing in the wind with sidelong flight, and in
the field below that mocking cadaver, the man of straw, shaking his
flimsy arms at them in wild contortions.
[Illustration: THE NORTH WIND.]
Public-domain text, read in full here on John Shaqi.
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