Patience Sparhawk and Her Times: A NovelAtherton, Gertrude Franklin Horn
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Patience Sparhawk and Her Times: A Novel
Atherton, Gertrude Franklin Horn
American fiction -- 19th century
“No, no. I’ve a dozen questions more.”
Miss Merrien, like all good newspaper reporters, was an amateur lawyer
and a harmless hypnotist. In an hour she had extracted Patience’s views
of society, books, dress, public questions, and the actors in the great
national theatre, the Capitol at Washington.
“Oh, this is magnificent,” she announced, when the pages had been
folded. “Now can I look at the house?”
“We will have luncheon first. No, don’t protest. I am delighted. Mr.
Peele is away for the day, otherwise I fear you would not have had this
interview.”
“Oh, you don’t believe in the submission of wives, then?”
“I’ve never thought much about it,” said Patience, indifferently. “There
is too much fuss made about it all. When a man commands his wife to do a
thing she does not care to do, and when a woman does what she knows will
displease her husband, it is time for them to separate.”
“Oh, that is too simple. It wouldn’t do to reduce the woman question to
a rule of three. What would all the reformers do? And the poor polemical
novelists! Oh, these are the famous portraits, I suppose?”
“You can look at them if the luncheon is bad,” said Patience, as they
took their seats at table. “I’m not a very good housekeeper, although I
actually did take some lessons of Miss Mairs. And sometimes I forget to
order luncheon. I did to-day.”
But the luncheon proved to be a very good one, and Miss Merrien did it
justice, while Patience explained the portraits. Afterward she showed
her guest over the lower part of the house. Then they went back to the
library, and Patience had her interview.
“Tell me exactly how does a woman begin on a newspaper?” she asked.
“Oh, different ones have different experiences,” said Miss Merrien,
vaguely. “Sometimes you have letters, and are put on as a fashion or
society reporter, or to get interviews with famous women, or to go and
ask prominent people their opinion on a certain subject—for a
symposium, you know; like ‘What Would You do if You Knew that the World
was to End in Three Days?’ or, ‘Is Society Society?’ I have written
dozens of symposiums. Sometimes you do free-lance work, just pick up
what you can and trust to luck to catch on. But of course you must have
the nose for news. I was at a matinée one day and sat in front of two
society women. Between the acts they talked about a prominent woman of
their set who was getting a divorce from her husband so quietly that no
newspaper had suspected it. They also joked about the fact that her
lawyer was an old lover. I knew this was a tip, and a big one. I wrote
all the names on my cuff, and before the matinée was over I was down at
the ‘Day’ and had turned in my tip to the City editor. He sent a
reporter to the lawyer to bluff him into admitting the truth. The next
day we had a big story, and after that the editor gave me work
regularly.”
“How much do you make a week?”
Public-domain text, read in full here on John Shaqi.
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