Patience Sparhawk and Her Times: A NovelAtherton, Gertrude Franklin Horn
General
Patience Sparhawk and Her Times: A Novel
Atherton, Gertrude Franklin Horn
American fiction -- 19th century
Sturges lost no time taking his stand before the jury box. It was the
hour of his life, but he was not nervous. His long thin figure leaning
toward the box as he rested his finger tips on the table, showed as fine
a repose of nerve as of brain. His clear-cut face with the cruel mouth
and pleasant smile was calm and unclouded.
He began by defending himself against Mr. Bourke’s remarks, and asserted
with convincing emphasis that when he had taken the oath of office he
had left his personal ambition behind him with his personal interests,
and had given himself body and soul and brain to the People of
Westchester County. Then he made an equally earnest statement of the
grave responsibilities of a district attorney, his solemn duty to the
People, the necessity to smother all promptings of humanity that he
might do what was best for the People—“The greatest good of the
greatest number.”
Then he painted Patience as black as Bourke had enamelled her white.
With masterly ingenuity he made each juror feel what an awful being a
bad woman was, an unloving undutiful wife; what a curse each man of them
would writhe under had Fate played him as scurvy a trick as it had
played poor Beverly Peele; that no unloved husband’s life would be safe
were not such women exploited and punished, that if the Gentlemen of the
Jury were weak enough to consider her sex they might be imperilling the
lives of countless thousands. For the matter of that, he reiterated,
crime had no sex.
He took up each detail of the story, and in the light of his
interpretation Patience was the modern Lucretia Borgia and Beverly Peele
an injured, peaceable, affectionate husband, who had been sacrificed by
an abandoned woman to whom he had given his honoured name, his fortune,
and his love.
He scarcely raised his voice. There was no passion in his utterance; but
he manufactured a mosaic, bit by bit, each fragment fitting so exactly
that the design was without crevice or crack. He demonstrated
mathematically that the tardy evidence of Miss Mairs had been
superfluous; that the chain of circumstantial evidence was symmetrical
and complete, and that no possible motive beyond duty to her conscience
could be attributed to her. With devilish adroitness, without a direct
phrase, he managed to filter into those twelve small brains the secret
of the inspired eloquence of the eminent counsel for the defence,—in
behalf of his young and beautiful client.
While he was talking, the skeleton trees beyond the windows grew dim of
outline, the mass of colour in the gallery faded. An official came out
of the library behind the court room and lit the tall gas lamps on
either side of the bench. The judge looked like a bas-relief in pink and
silver against the dark panelling of the background. The rest of the
room was in shadow. The light of the near jet fell full upon Sturges’
stern face.
Public-domain text, read in full here on John Shaqi.
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