Entertaining -- Juvenile fiction; Family -- Juvenile fiction; Friendship -- Juvenile fiction; Young women -- Juvenile fiction
But Farnsworth strode over to the speaker, and spoke to him, sternly
but quietly. "Lansing," he said, "it's all up, and you know it! Now, I
don't want to have a scene here and now, so you have my permission to
go away wherever you like, on condition that you never enter the
presence again, of Miss Galbraith or Miss Fairfield."
"Ho!" said Lansing, with an attempt at bravado. "You give me your
permission, do you? Let me tell you that Miss Galbraith is my promised
wife. We have the license, and we're about to be married. It will take
more than you to stop us!"
"Indeed," said Farnsworth, and putting his hands in his pockets, he
gave Lansing a contemptuous glance. "Well, then, I shall have to
request assistance. If I tell this constable a good reason why he
should detain you long enough to prevent your marriage to Miss
Galbraith, would such an argument have any weight with you?"
There was an instantaneous change in Horace Lansing's demeanour. From
a blustering braggart, he became a pale and cringing coward. But with
a desperate attempt to bluff it out, he exclaimed, "What do you mean?"
but even as he spoke, he shivered and staggered backward, as if
dreading a blow.
"Since you ask me," said Farnsworth, looking at him, sternly, "I'll
answer frankly, that unless you consent to go away and never again
enter the presence of these ladies, I shall inform these policemen of
a certain little bank trouble that happened in Chicago----"
It was unnecessary to go on. Lansing was abject, and begged in
pleading tones that Farnsworth would say no more. "I am going,"
Lansing stammered, and without a word of farewell to Mona or even a
glance at Patty, he walked rapidly away.
"Let him go," said Farnsworth. "I can't tell you girls about it, but
I'll explain to Mr. Galbraith. Mona, that man is not fit for you to
know! He is guilty of forgery and robbery."
"I don't believe it!" declared Mona, angrily.
"You _do_ believe it," and Farnsworth looked at her steadily, "because
you know I would not tell you so unless I knew it to be true."
Mona was silent at this, for she did know it. She knew Bill Farnsworth
well enough to know that if he made an accusation of that sort, he
knew it to be the truth.
"But I love him so," she said, sobbing.
"No, Mona, you don't love him." Bill spoke very gently, and as he laid
his hand on Mona's shoulder, she raised her eyes to look into his
kind, serious face. "You were not much to blame, Mona; the man
fascinated you, and you thought the foolish infatuation you felt for
him was love. But it wasn't, and you'll soon forget him. You don't
want to remember a man who was a wrong-doer, I'm sure; nor do you want
to remember a man who goes away and deserts you because he has been
found out. Mona, is not his going away as he did, enough proof of his
guilt?"
But Mona was sobbing so that she could not speak. Not angry sobs now,
but pathetic, repentant sorrow.
Public-domain text, read in full here on John Shaqi.
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