Paul Clifford — CompleteLytton, Edward Bulwer Lytton, Baron
General
Paul Clifford — Complete
Lytton, Edward Bulwer Lytton, Baron
Brigands and robbers -- Fiction
Paul Clifford's, not his.]
“Passion,” said Augustus, coolly, “is the usual enemy of reason; in your
case it is the friend.”
The pair had now gained the summit of a hill which commanded a view of
the city below. Here Augustus, who was a little short-winded, paused
to recover breath. As soon as he had done so, he pointed with his
forefinger to the scene beneath, and said enthusiastically, “What a
subject for contemplation!”
Clifford was about to reply, when suddenly the sound of laughter and
voices was heard behind. “Let us fly!” cried Augustus; “on this day of
spleen man delights me not--or woman either.”
“Stay!” said Clifford, in a trembling accent; for among those voices he
recognized one which had already acquired over him an irresistible and
bewitching power. Augustus sighed, and reluctantly remained motionless.
Presently a winding in the road brought into view a party of pleasure,
some on foot, some on horseback, others in the little vehicles which
even at that day haunted watering-places, and called themselves “Flies”
or “Swallows.”
But among the gay procession Clifford had only eyes for one! Walking
with that elastic step which so rarely survives the first epoch of
youth, by the side of the heavy chair in which her father was drawn, the
fair beauty of Lucy Brandon threw--at least in the eyes of her lover--a
magic and a lustre over the whole group. He stood for a moment, stilling
the heart that leaped at her bright looks and the gladness of her
innocent laugh; and then recovering himself, he walked slowly, and with
a certain consciousness of the effect of his own singularly handsome
person, towards the party. The good squire received him with his usual
kindness, and informed him, according to that lucidus ordo which he so
especially favoured, of the whole particulars of their excursion. There
was something worthy of an artist's sketch in the scene at that moment:
the old squire in his chair, with his benevolent face turned towards
Clifford, and his hands resting on his cane, Clifford himself bowing
down his stately head to hear the details of the father; the beautiful
daughter on the other side of the chair, her laugh suddenly stilled, her
gait insensibly more composed, and blush chasing blush over the smooth
and peach-like loveliness of her cheek; the party, of all sizes, ages,
and attire, affording ample scope for the caricaturist; and the pensive
figure of Augustus Tomlinson (who, by the by, was exceedingly like
Liston) standing apart from the rest, on the brow of the hill where
Clifford had left him, and moralizing on the motley procession, with
one hand hid in his waistcoat, and the other caressing his chin, which
slowly and pendulously with the rest of his head moved up and down.
Public-domain text, read in full here on John Shaqi.
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